During the course of three years, director Jeremy Frindel traveled with Kirtan singer Jeffrey Kagel, now known to the world as Krishna Das, interviewing many of his colleagues and tapping into his strengths, not only as a Grammy Award winning singer, but also as a teacher, healer, and a man of depth and compassion. The…
The disturbing case of the West Memphis Three has been covered extensively in Joe Berlinger and Bruce Sinofsky’s “Paradise Lost” trilogy, along with Amy Berg’s 2012 documentary “West of Memphis.” So what additional information can be brought to the table with the 114 minutes of Devil’s Knot? Answer: Not much. Director Atom Egoyan’s foray into…
For what is supposedly his final film, anime master Hayao Miyazaki ambitiously departs from his usual genre territory and yet still honors his innermost passions while once again expressing wonder through the imaginative eyes of its protagonist. The Wind Rises stands out in Miyazaki’s filmography because not only is it anchored in reality when nearly…
There’s not much more frustrating than a film that comes so close to being thought-provoking and perceptive, but chooses instead to focus on apathetic plights and easy solutions. The Monuments Men embodies this all too well, dangling fascinating questions just out of reach, all the while cycling through a series of genre tropes from rousing…
After a disastrous last outing with “Battleship,” Peter Berg, has struck gold with his latest project based on the Navy, Lone Survivor. One part “Black Hawk Down” for patriotism and one part “Saving Private Ryan,” for viscerality, it is an extremely visual, potent film that follows four Navy SEALs who are dropped into Afghanistan to…
Walt’s schmaltz, both old and new, is on display in the cute little period piece Saving Mr. Banks, which looks at a particularly bumpy stretch on the Disney-paved road to turning Mary Poppins into a cinematic classic. There’s a war over sentimentality being waged between Disney himself (a warm, welcoming Tom Hanks here) and Mary…
Martin Scorsese seems to subscribe to the belief that age is just a number. Arguably the only one of the 70’s “Movie Brats” who hasn’t completely lost his touch (Spielberg being debatable), he continues to churn out films at a frequency that would exhaust a filmmaker half his age. That said, while his latter-period work…
