Coming-of-age angst and self-discovery set against the Southern Californian skateboarding circuit are enthusiastically explored in the directorial debut of Oscar-nominated actor Jonah Hill in his observational and exuberant vehicle, Mid90s. As producer-writer-director and product of a 90’s West Coast teenage upbringing, Hill spins a heartfelt tale of growing pains balanced by skateboarding rebellion, a sense…
Nigerian poet and novelist Ben Okri said, “Writing comes partly out of being wounded by life. The need to create art is connected to a need to heal.” Without a market for her books and Isolated from her literary peers, for Lee Israel (Melissa McCarthy, “Ghostbusters”) healing has given way to loneliness, alcohol, and deception….
Robert Redford (“Our Souls at Night”) is an American icon and, in David Lowery’s (“A Ghost Story”) The Old Man and the Gun, has ostensibly made his final curtain call as an actor. Adapted by Lowery from a 2003 article in the New Yorker about Forrest Tucker by David Grann (“The Lost City of Z”),…
In my limited estimation, there are few things more anxiety-inducing than the thought of getting up onstage, all alone but for a sweaty drink and rickety stool, and surrounding yourself with a room full with people waiting for and expecting you to make them laugh out loud. Nina Geld (Mary Elizabeth Winstead, “10 Cloverfield Lane”)…
“Mid pleasures and palaces though we may roam, be it ever so humble, there’s no place like home” — John Howard Payne The Smothers Brothers they are not. Brothers Eli (John C. Reilly, “Kong: Skull Island”) and Charlie (Joaquin Phoenix, “You Were Never Really Here”) Sisters, known to all as the Sisters Brothers, are deadly…
In 1915, D. W. Griffith’s film “The Birth of a Nation” was released, en route to becoming one of the most influential and controversial films in cinema history. Griffith’s historical epic created indelible imprints on film content and style, particularly in the areas of racial representation and editing. A century later, Spike Lee’s BlacKkKlansman attempts…
I watched Support the Girls right on the heels of “We the Animals” and “Crazy Rich Asians,” and it requires no stretch of the imagination to view this coincidental triple-feature as three distinct and distinctive representations of the meaning and function of family. The employees of Double Whammies — particularly the young, attractive, well endowed…
