Memory minds. It minds who you are, but, more particularly, who you were. It minds who you love, but, quite peculiarly, who you hate. For Zev and Max, it all has been a long ride till retaliation. For if it is true that no vengeance is possible without memory, no grievances exist when they cannot…
Looks can be deceiving. Whatever has your attention is usually caused by a sexy surface that absorbs your mind, body, and soul. For some viewers, that sexy surface is the charismatic presence of a blue-eyed, slick-haired Hollywood leading man. For me, it was the characteristics of what seemed to be a really good movie and…
There’s no place like home . . . unless you’re someone who tries to deny your own when you need it the most. That’s the conundrum in which we find George Hammond, an aging nomadic man, who’s seemingly unaware of his own bleak reality as he tries to survive in the cold and vast streets…
The laser-like focus afforded by a compact running time is used to intensely impactful use in Phil Sheerin’s North, a 20-minute short about a teen boy wrestling with the inevitability of his ailing mother’s impending death. It’s rough subject matter, bleak and tragic, the kind of thing that would tempt many filmmakers to tug at…
Perhaps naming a motion picture Truth is opening the door to criticism over the real validity of its contents — more so when the film is based on true events and events that are still relevant in the public conscious, no less. But regardless of some of its debatable content, James Vanderbilt’s directorial debut admirably…
One of the main reasons why words are so fascinating is because they can house inside mutually exclusive meanings. They are the embodiment of freedom, for they can harbor opposite significations while keeping their expressive powers intact. This is the case of the Amharic word difret. On the one hand, this word embodies the very…
Loosely based on Walter Isaacson’s best-selling biography with a screenplay by Aaron Sorkin (“The Social Network”), Danny Boyle’s (“127 Hours”) Steve Jobs is not a conventional biopic of the famous co-founder of Apple Computers but is more like an impressionist painting — short strokes of paint that capture the essence of the subject rather than…
