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Movie Review: The Two Popes (2019)

“It’s not true that people stop pursuing dreams because they grow old, they grow old because they stop pursuing dreams” — Gabriel Garcia Marquez Brazilian director Fernando Meirelles’ (“The Constant Gardener”) The Two Popes is not only a master class in acting, but a film that sends a strong message that people who disagree and…

Movie Review: Beanpole (2019)

“For a long time after the war I was afraid of the sky, even of raising my head towards the sky. I was afraid of seeing plowed-up earth. But the rooks already walked calmly over it. The birds quickly forgot the war” — Svetlana Alexievich, “The Unwomanly Face of War” During World War II, the…

Movie Review: The King (2019)

Loosely based on Shakespeare’s “Henry IV: Parts 1 & 2,” and “Henry V,” David Michôd’s (“Animal Kingdom”) epic medieval drama The King lacks the Bard’s poetry and soaring eloquence, yet its intensity, intimacy, and brooding power will keep you captivated throughout its 133-minute run time. Co-written by Michôd and Joel Edgerton (“Boy Erased”), the film…

Movie Review: Cold Case Hammarskjöld (2019)

“Do not seek death. Death will find you. But seek the road which makes death a fulfillment.” — Dag Hammarskjöld, Markings While his reporting sometimes comes across as performance art, journalist Mads Brügger (“The Saint Bernard Syndicate”) has gone beyond satire in his searing documentary Cold Case Hammarskjöld. Winner of the best directing award at…

Movie Review: Gwen (2018)

The horror genre allows many opportunities to explore opposition. The opposition may involve faith in “The Exorcist,” gender in “Rosemary’s Baby,” class in “The Texas Chainsaw Massacre” and sometimes all these and more, such as in “Drag Me To Hell.” With folk horror, the opposition is often between tradition and modernity, insiders and outsiders, new…

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