In Chinese culture, the number three is considered lucky for its similarity to the character meaning “life” or “to give birth.” As such, Mountains May Depart makes no small use of significant triptychs in telling its story. The film is segmented into three disparate chapters and time periods; its three main characters are caught up…
As the year ends and holidays approach, more and more Oscar bait gets churned out for Academy consideration. Lost in this glut is the release of lesser-known foreign films that get quickly shoveled into American obscurity after getting viewed by a privileged select few. Lost in Paris, sadly, will likely become of those undiscovered gems….
Drew (Scott Eastwood, “The Longest Ride”) is a guy who hates his job. When he runs into an attractive woman, he decides to join the same acting school she attends, for no other reason than that he wants to — in his words — “bang her.” Hijinks follow, he makes friends while learning a lesson…
In Una, the powerful screen adaptation of David Harrower’s play “Blackbird” about the sexual abuse of a thirteen-year-old girl, Australian director Benedict Andrews does what has become increasingly uncommon in modern cinema — he makes us think. While it may be uncomfortable to look outside of the reassuring categories of victim and victimizer, Andrews asks…
“And if the earthly no longer knows your name, whisper to the silent earth: I’m flowing. To the flashing water say: I am” — Rilke, “Sonnette an Orpheus” (II, 29) Chiron, in Barry Jenkins’ Oscar-winning film “Moonlight,” in addition to being gay and black, has to deal with drug abuse, bullying, and the lack of…
Whether or not it is designed as an allegory of modern Russia, no film in recent memory has examined the growing emptiness of human relationships with such expressive force as Andrey Zvyagintsev’s (“Leviathan”) Loveless, a heart wrenching drama about a couple on the brink of divorce whose emotional neglect of their son leads to devastating…
Surprisingly again, Reese Witherspoon (Lead Actress Oscar winner for “Walk the Line”) has settled for signing on the dotted line to partake in a woefully rudimentary romantic comedy. Usually considered somewhat of a spark plug in her plucky-type of roles (“Legally Blonde” being the most revered), Witherspoon is curiously reduced to playing what amounts to…
