News Vendor: “I’m leaving.” Gordon: “Why?” News Vendor: “I found out I’m Jewish.” Gordon: “But you fought in the war.” News Vendor: “Tell it to the person that threw a rock at my window.” Gordon: “This is Budapest.” Budapest Noir, directed by Éva Gárdos (“American Rhapsody”) transports us to the Budapest of 1936. Zsigmond Gordon…
The Last Suit (El Último Traje), the second feature film by writer/director Pablo Solarz (“Intimate Stories”) is an Argentine/Spain production that follows the journey of Abraham Bursztein (Miguel Ángel Solá, “The Impatient Alchemist”) an 88-year-old holocaust survivor who found refuge in Argentina, where he created a life for himself, working as a tailor and raising…
It’s a rare piece of cinema that is able to hearken back to atrocities committed during World War II through spoken recollections in the midst of a home invasion plot, but that’s exactly what we’ve been given with Winter Hunt (“Winterjagd”). Astrid Schult has crafted a unique, aging Nazi thriller, brimming with unending desires to…
“The universe is made of stories, not of atoms.” — Muriel Rukeyser (Poet and physicist) Liyana, directed by the Swaziland-born husband and wife team of Aaron and Amanda Kopp, is a genre bending documentary that follows a small group of Swazi children — residents of Likhaya Lemphilo Lensha, a Swaziland orphanage — as they participate…
Grass is a symbol of renewal in Korean director Hong Sangsoo’s latest film, simply titled Grass, his fourth in the last twelve months. Only 66 minutes in length and shot in black and white by cinematographer Kim Hyungku, the film is set in a quiet Seoul café where the camera intrudes on conversations that begin…
Film critic and current director of the New York Film Festival, Kent Jones’ first feature, Diane, offers a psychological portrait of a woman whose attempts to reach out to others hides her own inability to forgive herself for her past misdeeds. A 70-year-old divorced woman living in rural Massachusetts, Diane (Mary Kay Place, “Downsizing”) fills…
There are many levels to Erik Kristopher Myers’ deeply satisfying horror film Butterfly Kisses, which is more an exploration of authorship and authenticity than it is a straightforward found footage flick. To be honest, the horror element is probably its weakest — bluntly effective jump scares are all we get. But then, visceral thrills are…
