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Movie Review: Ready or Not (2019)

Ready or Not was one of the highlights of London’s horror film festival FrightFest. Wonderful in its balance of scares and laughs, it brings together a fine cast with a viciously vibrant script and highly inventive direction. Much of the film’s genius comes from its central device of games, a device that structures both the…

Movie Review: Haunt (2019)

Haunt was written and directed by Scott Beck and Bryan Woods, writers on “A Quiet Place”; and while this is similarly high concept, it couldn’t be more different in tone. It aims for brisk, bloody and blackly comedic, and on those terms it delivers. The conflict in “A Quiet Place” was as much psychological as…

Movie Review: Running with the Devil (2019)

With one co-directing credit under his belt (“Smoke Filled Lungs”), writer/director Jason Cabell begins his sophomore film with a surprising amount of confidence. Leading with intriguing, juxtaposing images of torture and partying aided by a smooth soundtrack-driven flow, the opening scene of his first solo-directed feature Running with the Devil teases a style generally uncommon…

Movie Review: Luce (2019)

A high school student’s essay discussing radical philosopher Frantz Fanon’s belief in the necessity of violence by oppressed people raises certain eyebrows in Nigerian director Julius Onah’s (“The Cloverfield Paradox”) thought-provoking but over-determined Luce, a drama about race that challenges us to impose our own expectations on the main character. Onah says that, “Every other…

Movie Review: Aniara (2018)

In his play, “The Glass Menagerie,” Tennessee Williams alludes to one of the characters as the “Gentleman Caller.” He is the character in the play that is supposed to be realistically rendered to complement the rest of the cast who comprise a group of dreamers. Williams describes him as “a symbol . . . the…

Movie Review: Driven (2019)

The first of two John DeLorean-focused films to be released in 2019 (the other being a documentary/re-enactment hybrid “Framing John DeLorean”), Driven does not adopt the typical biopic template. Rather, it positions itself almost as an eyewitness perspective to the entire scandal from the point of view of the FBI informer who ratted John DeLorean…

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