Eric Fellner

Movie Review: The Substance (2024)

Imagine if Stanley Kubrick, David Cronenberg, Darren Aronofsky and Gaspar Noe collaborated on a film. If they did, it might look something like Coralie Fargeat’s extraordinary The Substance, a film that blends multiple elements both familiar and innovative into something truly unique and utterly unforgettable. To unpack the (inevitably) reductive comparison, The Substance features spaces…

Movie Review: Last Night in Soho (2021)

London in the swinging 60s. A time of glamour. A place of dreams. An era of magic, cruelty and abuse. Wait, what? That’s right, Edgar Wright’s (the Cornetto Trilogy, “Baby Driver”) latest film, Last Night in Soho, largely eschews the lighthearted tone of his previous work, delivering a tale that is dark, gruesome and visceral,…

Movie Review: Cats (2019)

There’s only one movie in theaters this holiday season where you can see tap, ballet, hip-hop, and other dance styles performed by CGI cat-people (or are they people-cats?) and you can bet it’s not the latest Star Wars movie. It’s also not exactly good, at least in the way that nearly everyone who watches movies…

Movie Review: Yesterday (2019)

The Beatles are one of the most iconic, influential and beloved musicians, or indeed creative artists, of all time. As well as producing such bestselling albums as “The White Album,” “Abbey Road” and “Sgt. Pepper’s Lonely Hearts Club Band,” the Fab Four have been the subject of films, books, museums and anecdotes. They put Liverpool…

Movie Review: King of Thieves (2018)

It feels as if Michael Caine (“Going in Style”) has been making movies like King of Thieves for decades, movies in which is character is so, so old and so, so tired of it all. You’d be tired as well, if you had to work on movies like this. One last score, one last big…

Movie Review: Mary Queen of Scots (2018)

Mary Queen of Scots, Josie Rourke’s interpretation of rival queens in the 16th century is stilted and anticlimactic, with poor pacing and a weak screenplay that casts a rather conspicuous shadow over its two prominent leads, Saoirse Ronan (“Lady Bird”) and Margot Robbie (“I, Tonya”). Rourke, long affiliated with the London stage (she’s the artistic…

Movie Review: Darkest Hour (2017)

Allen Packwood, director of the Churchill Archives Centre referred to former British Prime Minister Winston Churchill as an “incredibly complex, contradictory, and larger-than-life human being.” This complexity is lost, however, in Joe Wright’s (“Pan”) Darkest Hour, a look at a crucial time in British Prime Minister Churchill’s stewardship that covers the period from May 10,…

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