I know what you’re probably thinking. “BnB Hell — must be a terrific horror-thriller! I’m sold on the title alone!” Well, far be it from me to razz you for your terrible taste, but I insist on disabusing you of the notion that this is worth anyone’s time, let alone money. Let us delve into…
The craps-shooting, comedy caper, The House, is a bad gamble for former “Saturday Night Live” alums Will Ferrell and Amy Poehler. The betting windows tell a tepid tale of strained, transparent chuckles in this limp-minded, suburban satire that rolls the so-called humor dice to no avail. The mixture of collegiate financial desperation, spoof-inspired small-time mobsters,…
One per-centers are taking it on the chin at the movies these days with recent releases like “The Founder” and “Get Out,” and now the latest cinematic smack out of Sundance, Beatriz at Dinner, a sly and telling exposé of class in America as seen through the eyes of a Mexican immigrant woman named Beatriz…
A found footage slasher which doesn’t add anything to a highly variable subgenre sounds eminently skippable, but Altar is at least short and sharp, reasonably gripping, and has good characterization. A slightly unconvincing and unnecessary prologue presents a married couple spending their wedding night in a remote hotel. For some reason they choose to go…
The chasm between what parents want for their children and what kids want for themselves is rarely addressed in films, especially in romantic comedies where the focus is primarily on young couples falling in and out of love and then back in again. Of course, we know that parents are usually involved, especially immigrant families…
It’s a well-known fact that most third installments of film franchises do not rise to the level of the first (and often the second). Now, these examples are subjective, of course, but I present as evidence the following pictures: “Rocky III,” “Superman III,” “The Dark Knight Rises” and “Star Wars: Episode VI: Return of the…
For more than a decade, Edgar Wright has risen to become one the world’s more interesting filmmakers by innovating the action-comedy genre through homage and sharp satire with films like “Shaun of the Dead,” “Hot Fuzz” and “The World’s End.” Now Wright returns to bring his unique spin on the action-thriller genre. His foray, Baby…
