Obey lays out its elements early on, declaring its setting, its interest and its milieu from the opening shot. Yet, within this shot and throughout the film, writer-director Jamie Jones also defies expectation. In the opening sequence before the titles, a deep focus long take captures six young people work towards the camera, discussing the…
On its face, Where Is Kyra? tells the story of an unemployed divorcée, Kyra Johnson (Michelle Pfeiffer, “Dark Shadows”), whose life falls into further disarray following the death of her mother. Struggling to make ends meet, her judgment clouded by grief, she soon resorts to desperate measures in order to avoid being evicted from the…
What is the cost to become beautiful? To be considered beautiful? Deep(ish) questions like that usually reside in dramas, but they can also be thoughtfully explored in comedies. It is this subject (among others like friendship and self-worth) that comedian and actress Amy Schumer tackles in her new film, I Feel Pretty. Although she stumbled…
“Certain persons in the world exist, not as personalities in themselves, but as spots or specks on the personalities of others” — N. V. Gogol, “Dead Souls” A Gentle Creature is as Russian a creature can ever be. It is the kind of character-driven story where the protagonist is bereft of all possible character —…
A common rite of passage for college seniors is their last Spring Break — they get together with friends in a tropical location for sun, drinks, and fun before they graduate and enter “the real world.” Intent on making her final Spring Break worth a little more, Olivia (Lucy Hale, “Scream 4”) has instead signed…
Not since “The Electric Horseman” in 1979 have we had the distinct pleasure of seeing two outstanding actors, Robert Redford (“All Is Lost”), now 81, and Jane Fonda (“Youth”), now 79, working together in the same film. That situation has now changed with the release of Our Souls at Night, directed by Ritesh Batra whose…
The problems with Rave Party Massacre begin — but certainly do not end — with its title. For a film that purports to portray a “massacre,” the body count by the time the credits roll is alarmingly small. What makes this titular inconsistency especially strange is the fact that the film actually does deliver on…
