Focus Features

Movie Review: Promising Young Woman (2020)

Early in Emerald Fennell’s biting and insightful Promising Young Woman, protagonist Cassie (Carey Mulligan, “Suffragette”) is catcalled by a group of workmen. It is a depressingly common scenario — a woman subjected to sexual objectification, for little reason other than men want to and can. But writer-director Fennell and star Mulligan strike a pose in…

Movie Review: Downton Abbey (2019)

In 2019’s Downton Abbey, creator Julian Fellowes succinctly blends the bold episodic wit of the “Downton Abbey” television series with charm and grandeur — the latter playing wonderfully on the silver screen. A mix of fan service and carefully scripted royal drama, the film is an exquisite homage to the six-season British TV mainstay. Playing…

Movie Review: Mary Queen of Scots (2018)

Mary Queen of Scots, Josie Rourke’s interpretation of rival queens in the 16th century is stilted and anticlimactic, with poor pacing and a weak screenplay that casts a rather conspicuous shadow over its two prominent leads, Saoirse Ronan (“Lady Bird”) and Margot Robbie (“I, Tonya”). Rourke, long affiliated with the London stage (she’s the artistic…

Movie Review: Boy Erased (2018)

Based on the memoir by Garrard Conley and set in rural Arkansas, Australian director Joel Edgerton`s (“The Gift”) Boy Erased tells the moving story of Jared Eamons (Lucas Hedges, “Lady Bird”), an 18-year-old gay college student and his struggle for self-acceptance in the face of rejection by those whose support he desperately needs. Raised in…

Movie Review: BlacKkKlansman (2018)

In 1915, D. W. Griffith’s film “The Birth of a Nation” was released, en route to becoming one of the most influential and controversial films in cinema history. Griffith’s historical epic created indelible imprints on film content and style, particularly in the areas of racial representation and editing. A century later, Spike Lee’s BlacKkKlansman attempts…

Privacy Policy | About Us

 | Log in

Advertisment ad adsense adlogger