Francis Annan’s Escape from Pretoria describes the real-life adventures of political captives Tim Jenkin and Steven Lee as they attempt to leave the titular prison before their sentences are up. Set in the apartheid era of South Africa, the film spends most of its run-time within the walls of the prison itself, leaning on a…
Haunt was written and directed by Scott Beck and Bryan Woods, writers on “A Quiet Place”; and while this is similarly high concept, it couldn’t be more different in tone. It aims for brisk, bloody and blackly comedic, and on those terms it delivers. The conflict in “A Quiet Place” was as much psychological as…
Mike Gan’s Burn joins all those movies that exist solely in one location, movies like “Panic Room,” “Phone Booth” and “Grand Piano.” The greatest challenge with movies like this is that much of its success depends on the main protagonist. They need to carry the movie and compel our attention, since cinematography doesn’t play much…
You know how, when you draw a bath and the water’s too hot to get into, so you let it sit there for a while but when you come back it’s too cold to get into, thus rendering it kind of useless? That’s what 211 is like. It’s tepid, lifeless, waste of time (if not…
The Katyn Massacre was a series of mass executions of Polish nationals carried out by the Soviet secret police in April and May of 1940. Though the Soviet Union claimed that Nazi Germany had orchestrated the slaughter in 1941, it officially acknowledged responsibility for the killings in 1990, after decades of state-sponsored cover-ups. Piotr Szkopiak…
The initial success of Brannon Braga and Adam Simon’s series “Salem” (2015-2017) and the staggering impact of Robert Eggers’ “The Witch” seems to have made American Puritans into high fashion for horror entertainment. Director Martin Koolhoven and producer Els Vandevorst had, for several years before the releases of the aforementioned titles, been producing their own…
The Gracefield Incident begins with a home movie — a man and his wife on their way to their second ultrasound appointment. Matt Donovan (Mathieu Ratthe) can barely contain his excitement as his wife, Jess (Kimberly Laferriere, “White Night”) chastises him, asking whether he plans to record everything. “It’s his journal!” Matt replies, insistent that…
