For many the sacred institution of marriage is a life-changer as it sets the standards for that individual’s sense of existence, identity and the promotional promise of a loving bond meant to supposedly last for a lifetime. However, another life-changing experience is the ultimate break-up of a marriage due to unkind, unsettling and restrictive circumstances…
Based on a short story by Katha Pollit, a columnist for the Nation magazine, Learning to Drive is a small movie with a big heart. While the film is risk averse and will not be mistaken for a timeless work of art, its story of two middle-aged people of vastly different backgrounds assisting each other…
Cinema as a mode of fabricated observation can be fascinating because, unless instructed to do so, the camera doesn’t judge. This is the key to entering Patrick Vollrath’s powerful domestic drama Everything Will Be Okay, which chronicles a divorced father’s initially fun day out with his daughter during which life-altering decisions are made. The movie…
A good mystery movie doesn’t necessarily need a great mystery to work, but it certainly helps. So a bad mystery movie with a bland, boring mystery must be pretty damned from the start. That’s where Frank the Bastard finds itself, since despite having a mysterious title and a mysterious premise (a young woman confronts her…
Governed by strict religious rules, there are no civil courts for divorce proceedings for Jews in Israel. Even though women over age eighteen can vote and must, like everyone else, undergo compulsory military training, Israel is still a male-dominated society and wives are considered to be the property of the husband. This means that a…
It is not hard to figure out where St. Vincent, the latest Bill Murray vehicle for comic grouchiness, is headed, but director Theodore Melfi makes you want to jump aboard and go along for the ride anyway. Murray isn’t exactly cuddly but, you know, every saint has some sinner-like traits. Murray, as Vincent, the next-door…
Jayne Mansfield’s Car is a tedious, depressing dysfunctional film about a tedious, depressing, dysfunctional pair of families, headed by patriarchs Robert Duvall and John Hurt, respectively. It seems that 30 years before, Kingsley Bedford (Hurt) stole Jim Caldwell’s (Duvall) wife, Naomi (Tippi Hedren, whose most famous role was in Alfred Hitchcock’s “The Birds“) and took…
