The Possession Experiment, centers around, as you might guess, a possession experiment. But don’t let the lack of creativity in the title sway you into thinking that the filmmakers have saved their imaginations for the rest of the movie. What you have here is a plot that’s both holy and wholly contrived, albeit with some…
If one likes their World War II films with a healthy dose of F-words, open lesbianism, cocaine use and sexual acts too numerous to count, then the newest Paramount release, Allied, is certainly the picture for you. A mix of “Casablanca,” “Hope and Glory,” with even a little “Inglourious Basterds” thrown in, this romcom war/thriller…
A confusing, convoluted plot, Ron Howard’s uninspired direction and less than stellar acting mar Inferno, the third installment of the popular (at least as far as book sales go) “Da Vinci Code” franchise, but then again, we all know about some of the third-film duds in cinematic history (“Superman 3,” “Rocky 3,” “The Hangover Part…
Well, the title of this action-thriller, Jack Reacher: Never Go Back, warns you to “never go back,” but when the first movie bankrolls more than $100 million, that adage seems to go right out the proverbial window. Part of the fun (although some would say “ridiculousness”) of films like “Jack Reacher” — and the James…
Imagine if “Rear Window” were in motion, the fragmented but persistent yearning to see given (literal) added dynamism. What we glimpse through windows is always partial, but if viewed from a moving train the glimpse is even more fleeting. Then replace James Stewart in a wheelchair with Emily Blunt addled by alcohol and you have…
While The Unknown Girl, the latest film by Jean-Pierre and Luc Dardenne (“Two Days, One Night”), is suggestive of social and political issues such as immigration, unemployment, and economic imbalance, its main concern is with moral character, accountability, and spiritual redemption. Like many other films of the Dardenne Brothers, it is simple, natural, and direct,…
The exotically disturbing character-driven Dutch drama Meat (a.k.a. “Vlees”) is most definitely not your old-fashioned grandmother’s tenderloin steak of a sexual psychological thriller. Filmmakers Victor Nieuwenhuijs and Maartje Seyferth (who also is credited as a co-screenwriter along with consultant scriber Stan Lapinski) literally and figuratively leads the wide-eyed lamb to the slaughter in this twisted,…
