Florence Foster Jenkins singing voice was flat and off-key, yet her generosity to others, friendship with music greats such as Arturo Toscanini, and love of music brought happiness to many during the dark days of World War II. Labeled by some intemperate critics as “the worst singer in the world,” she is given something of…
Two powerful lead performances drive Fences, a tale about a black family living in Pittsburgh during the mid-1950s, that, while the overall experience is mostly negative, the impact is nonetheless a powerful and emotional undertaking. The screenplay is adapted from the 1983 Pulitzer Prize winning play by the late August Wilson, which was revived in…
Sometimes a film comes along at the right moment, providing exactly the sort of inspiration one needs in difficult times. Such a film is A United Kingdom, the true story of Seretse Khama (David Oyelowo, “Queen of Katwe”) and Ruth Williams (Rosamund Pike, “Gone Girl”), an African tribal prince and London office clerk who married…
Love. Loss. Regret. Betrayal. Pain. Memory. Revenge. Beauty. These are the oh-so-jolly palate of Nocturnal Animals, Tom Ford’s haunting, ethereal and quite extraordinary second feature. Ford crafts a remarkable, trifurcated narrative with exquisite precision, slipping between the life, memories and imagination of Susan Morrow (Amy Adams, “Arrival”) in a way that demands attention, stirs the…
If one likes their World War II films with a healthy dose of F-words, open lesbianism, cocaine use and sexual acts too numerous to count, then the newest Paramount release, Allied, is certainly the picture for you. A mix of “Casablanca,” “Hope and Glory,” with even a little “Inglourious Basterds” thrown in, this romcom war/thriller…
Blacklisted author Millard Lampell’s Cantata “The Lonesome Train” tells us, “Freedom’s a thing that has no ending. It needs to be cared for; it needs defending.” Set in 1958 in Caroline County Virginia, Jeff Nichols’ (“Midnight Special”) Loving depicts one defense of freedom that is not as well known as it should be, the U.S….
What a squandered opportunity for director Greg Mottola to churn out a generically noisy suburban spy spoof in the toothless comedy caper Keeping Up with the Joneses. Woefully strained and exhaustive, Mottola’s off-kilter espionage bag of cheap chuckles barely manages to scrape off a scattered selection of smirks here and there. It never takes full…
