Fueled by over-prescription of highly addictive painkillers, two thirds of all drug overdose deaths reported in 2016 involved opioids. Though the film industry has been late in dramatizing the epidemic, several high profile films have been released this year on the subject including Peter Hedges’ powerful and moving Ben is Back, starring the director’s son,…
“Life leaps over oblivion lightly, losing only a thing or two of no importance and gloom is but the passing shadow of a cloud” — Yann Martel, Life of Pi Moments of crisis can bring a family closer together but can just as easily rip them apart. In first-time director Elizabeth Chomko’s What They Had,…
Hereditary begins after a 78-year-old woman, Ellen, dies, leaving her daughter Annie (Toni Collette, “Krampus”), teenage grandchildren Peter (Alex Wolff, “Coming Through the Rye”) and Charlie (Milly Shapiro), and their father Steve (Gabriel Byrne, “The 33”) alone in the house they’d shared at the end of her life. That’s one thing made eloquently and devastatingly…
Experiencing cabin fever in the generic home invasion thriller Breaking In is the least of the problems that overcome star/co-producer Gabrielle Union’s project as a periled, butt-kicking mother up against brutish home invaders. Although the premise of a bad-ass caretaker defending her children as desperate criminals look to infiltrate the safety of the home presents…
The late 80s Garry Marshall directed romantic comedy “Overboard” starring real-life couple Goldie Hawn and Kurt Russell was a breezy, amiable vehicle suitable for the celebrity tandem’s collaborative cinematic exposure. The Hawn-Russell cheeky pet project was not necessarily a rom-com that waded in the deep end of watery hysterics, but it still proved to be…
Slice-of-life drama is rarely cut so narrowly as it is in Kelly Fyffe-Marshall’s quietly devastating short Haven, about a mother (Tika Simone) and daughter (D’Evina Chatrie) wiling away the hours until a dark secret is suddenly unearthed. This isn’t even a slice; it’s a sliver. The short clocks in at approximately four minutes in total…
Each time that screenwriter Diablo Cody and director Jason Reitman team up, they create a singular female character that walks onscreen feeling fully formed and armed with lots to say. First it was Ellen Page’s precocious pregnant teen in “Juno,” then it was Charlize Theron’s perpetually perturbed author Mavis Gary in “Young Adult,” and now…
