The slasher film and stand-up comedy have some commonalities. Both rely on suspense and release, in one case the release being laughter and in the other, fear. Both can build up suspense with short sequences, be that a feedline/punchline structure or a jump scare; both can also escalate tension with a long form story leading…
Slasher movies have an effective formula. A killer murders victims, evades detection, has a final showdown, gets bested, maybe escapes. It’s an established formula and it has worked for decades. The film may feature absurd situations, narrative conveniences, stupid characters, gratuitous nudity and, of course, gory kills. None of this necessarily makes these films bad….
Robin Wood’s “The Wicker Man” casts a giant, well, wicker man-shaped shadow over horror cinema, especially folk horror. From “Deliverance” to “Get Out,” from “The Blair Witch Project” to “Kill List,” the conceit of confident people from “mainstream” society going to a distant location and regretting it has yielded great results for horror filmmakers. Director…
How many readers and cinema aficionados have a strained relationship with their parents? Maybe a there’s a neglecting mother to be ashamed of? Or how about daddy issues stemming from some form of abuse? Well . . . the animated horror story, To Your Last Death, introduces viewers to four siblings, all of them seriously…
Author Victor Hugo was once quoted as saying, “There are no such things as bad plants or bad men. There are only bad cultivators.” The idea that unjust law and prejudice infect communities for generations only to create more monsters along the way is still prevalent today, especially in media. In his third directorial effort,…
The inter-dependable relationship between mothers and their sons has been explored throughout horror for decades. From Alfred Hitchcock’s “Psycho” the 1960 landmark film which left an indelible mark on cinema forever, right up to the recent “Daniel Isn’t Real” which sought to explore the link between mother and son and more specifically, mental illness, it’s…
The Invisible Man has been the cinematic subject of effects extravaganzas (most notably James Whale’s 1933 adaptation of H.G. Wells’ classic novel), wartime propaganda (“Invisible Agent”), deadpan comedy (“Memoirs of an Invisible Man”), and psychosexual satire (“Hollow Man”), but rarely has he ever led a straight horror film. This is the hole that filmmaker Leigh…
