In a day where some churches feel that the larger donation you make, the closer you will be to God, and where the biggest donors are the ones despoiling the planet, there are several choices you can make: Blow yourself up and take some transgressors with you, accept it and internalize your despair, or find…
The desire to transcend the environment in which you were raised and choose your own direction in life is central to Disobedience, a clash between religious orthodoxy and the desire for sexual freedom. Adapted from Naomi Alderman’s novel of the same name, it is the first English-language effort for Chilean director Sebastian Lelio whose critically…
There is no doubt that Eric Stoltz’s latest teen feature film Class Rank won’t exactly mirror the classic formula of “Some Kind of Wonderful” — Stoltz’s breakout role back in 1987 — although it borrows the classic scenario that has the leads asking, “Are we just friends? Or could we be more than just friends?”…
Not since “The Electric Horseman” in 1979 have we had the distinct pleasure of seeing two outstanding actors, Robert Redford (“All Is Lost”), now 81, and Jane Fonda (“Youth”), now 79, working together in the same film. That situation has now changed with the release of Our Souls at Night, directed by Ritesh Batra whose…
The problems with Rave Party Massacre begin — but certainly do not end — with its title. For a film that purports to portray a “massacre,” the body count by the time the credits roll is alarmingly small. What makes this titular inconsistency especially strange is the fact that the film actually does deliver on…
As audiences screamed and jumped in the mostly silent screenings of “A Quiet Place” over the weekend, I found myself facing a pregnancy-related horror film of a different type. Leena Pendharkar’s 20 Weeks follows a young couple as they deal with an unplanned pregnancy and then subsequently with the baby having a physical disability and…
Winner of the Silver Lion at the Venice International Film Festival and Israel’s submission to the 2018 Oscars for Best Foreign Language Film, Israeli director Samuel Maoz’s (“Lebanon”) brilliant and confounding Foxtrot reveals itself less by narrative than by images: A narrow road in an empty stretch of desert, a lonely camel meandering through a…
