There was a popular book written in the late 1980s by Robert Fulghum named “All I Really Need to Know I Learned in Kindergarten,” It is filled with tried and true lessons about growing up: “Hold hands and stick together,” “play fair,” “look at yourself,” and other snippets of suggestions we learn about early in…
Quoting the statistic that 152 million children in the world are forced to work to support their families, Iranian director Majid Majidi’s Sun Children focuses on the street kids of Tehran — children of absent, addicted, or unemployed refugee parents, forced to sell trinkets on trains or buses, work in jobs that require manual labor…
Remember “Yes Man”? The 2008 Peyton Reed directed comedy, starring Jim Carrey, in his last great comedic leading role (in my opinion), as Carl — a man who obstinately says “No” to everything until he met a self-help guru who tells him to switch his “No” to “Yes.” This effectively simple word leads to amazing…
No Small Matter, a 74-minute documentary about early childhood development, is narrated by the actress Alfre Woodard (“Mississippi Grind”), who also served as executive producer. The “elevator pitch” for this documentary could be, “The dearth of quality child care services is alarming and we need to do something about it.” The doc presents dire statistics,…
When looking upon the first frame of Paradise Hills, the feature directorial debut of Spanish filmmaker Alice Waddington, your eyes are thrown into a wonderland of bizarre beauty. With a crisp sci-fi world of equal parts whimsy and despair, this feminist fairy tale has all of the looks of something remarkable, but lacks the proper…
The term “Cold War,” especially in cinema, usually evokes images of espionage, militarism, geopolitics and stern men speaking tersely in jargon that is only comprehensible to those with a working knowledge of the genre. Pawel Pawlikowski (“The Woman in the Fifth”) defies such expectations with his film Cold War, a starkly beautiful romance that deftly…
All I remember from eighth grade was being shunted from the Glee Club to the Stamp Club because, as my music teacher said, “it would be a better fit for you.” Better fit or not, it interfered with my plan to be a show biz star in the mold of Al Jolson. Unlike awkward pre-teen…
