Slasher movies have an effective formula. A killer murders victims, evades detection, has a final showdown, gets bested, maybe escapes. It’s an established formula and it has worked for decades. The film may feature absurd situations, narrative conveniences, stupid characters, gratuitous nudity and, of course, gory kills. None of this necessarily makes these films bad….
Haunt was written and directed by Scott Beck and Bryan Woods, writers on “A Quiet Place”; and while this is similarly high concept, it couldn’t be more different in tone. It aims for brisk, bloody and blackly comedic, and on those terms it delivers. The conflict in “A Quiet Place” was as much psychological as…
Christmas Blood is rather a bland title. Perhaps in translating from the native Norwegian — the snappier “Juleblod” — they could have jumped to the unused moniker of “Silent Night, Deadly Night”: “Slayride.” Reinert Kiil’s film is very much in the same ballpark as the 1984 seasonal “classic” (there aren’t that many slasher flicks where…
You know it’s a gripping film when the credits land and you look at your notepad and it’s blank. I found myself transfixed by writer-director Michael Peterson’s work here. Not because there’s anything dazzlingly original or groundbreaking about Knuckleball (except the title, which uniquely sucks), but because of the ease with which Peterson seems to…
From “Black Christmas” through “Silent Night, Deadly Night” and onto “Krampus,” there is a fine tradition of Christmas-themed horrors running through the decades, and Red Christmas, the feature debut from writer-director Craig Anderson, fits comfortably into the canon. The Christian festival of family and giving is the perfect backdrop for an ultra-violent cautionary tale about…
Unpleasant without being scary, and full of style sans substance, Brian Visciglia’s feature debut, Ryde, comes off as a kind of misogynist “American Psycho.” There’s a hint of Christian Bale’s Bateman in David Wachs’ pristinely chiseled psychotic, but none of Bret Easton Ellis’ satire. Wachs (“The Last Hurrah”) plays Paul, an elusive loner who one…
It might not bode well when a film’s title is a text message initialism (compounded with a nonsensical exclamation rather than a question mark), but Peter Herro’s debut feature, WTF!, is a surprisingly enjoyable micro-budget slasher with an old-school sensibility. After a nifty credits sequence, which sees the camera prowl around a grisly crime scene,…
