Someone at Warner Bros. needs to learn the value of taking time. Since the halcyon (and pre-published) days of the Wizarding World, the studio has demonstrated a tendency to rush their franchises. Despite 2014’s superb “Godzilla” and 2017’s impressive “Kong: Skull Island,” the subsequent installments, 2019’s “Godzilla: King of the Monsters” and now Godzilla vs….
1917 is director Sam Mendes’ first film since 2015’s 007 picture, “Spectre,” and no doubt reaches the pantheon of respected war films. A Best Picture contender at this year’s Academy Awards, the film is a visual masterpiece, aided by the lens of 15-time Oscar nominee Roger Deakins, strong direction and an uncompromising look at No…
Former marine and single mother Sam (Rebecca Rogers) is on maternity leave. Her baby needs medication, so she leaves the kid home alone and runs to the pharmacy. Sam is abducted. She wakes up in a locked-down warehouse. A mysterious voice informs her that her child will be killed unless she “plays the game.” It’s…
If extra-terrestrial visitors eventually show up on Earth’s doorstep in flying saucers powered by anti-gravity reactors and then announce they’ve been here before, Bob Lazar will have dibs on a very exasperated “I told you so!” That’s pretty much the chief takeaway from Jeremy Kenyon Lockyer Corbell’s cheapo documentary with the no-nonsense title Bob Lazar:…
Even with two traditionally bankable stars in Ryan Gosling and Russell Crowe, writer-director Shane Black’s last film, “The Nice Guys,” a dark 70’s buddy-cop movie, was an underwhelming box office release in 2017. For 21st Century Fox, the more recent staples of their lineup has been the “X-Men” and “Planet of the Apes” series (and…
Jurassic World: Fallen Kingdom is, for lack of a kinder way of saying it, a prehistoric mess. Nestled between a passable 2015 sequel and a bookend to the trilogy coming in 2021, it is sloppy staging for what’s sure to be an underwhelming and anticlimactic third effort. Chris Pratt (“Avengers: Infinity War”) and Bryce Dallas…
Winner of the Silver Lion at the Venice International Film Festival and Israel’s submission to the 2018 Oscars for Best Foreign Language Film, Israeli director Samuel Maoz’s (“Lebanon”) brilliant and confounding Foxtrot reveals itself less by narrative than by images: A narrow road in an empty stretch of desert, a lonely camel meandering through a…
