Anne Hathaway

Movie Review: Colossal (2016)

Ignacio “Nacho” Vigalondo is such a breath of fresh air. He values creative concepts and playful storytelling over exhaustive explanations and trite plot turns. He is fully aware of the tropes he’s toying with and knows when to tweak them and by how much. He’s very good at engaging the audience and then recognizing that…

Movie Review: Ocean’s 8 (2018)

The favorable trend as of late is the recurring gimmick of gender-switching casting in films of previous familiarity. The craze was recently ignited — seemingly — by the 2016 Paul Feig-directed “Ghostbusters” estrogen-driven remake to this year’s earlier released “Overboard” remake with Anna Faris and Eugenio Derbez demonstrating the sex role reversal routine. So who…

Movie Review: The Intern (2015)

Nancy Meyers’ The Intern is both about an intern and an intern in itself. Mainstream comedies often feature a young, driven individual whose commitment to his/her career affects his/her romantic or family relationships, but the sage advice of a smart minor character helps the protagonist see things more clearly and re-establish their priorities. That sub-plot…

Movie Review: Interstellar (2014)

When I was growing up, reading science fiction from such authors as Isaac Asimov, Ray Bradbury, Robert Heinlein, and Arthur C. Clarke meant discovering new worlds of imagination and wonder. Sadly, what passes for science fiction today is mostly a reflection of a world imprisoned by fear. Christopher Nolan’s Interstellar, a visually thrilling film of…

Movie Trailer: Interstellar (2014)

Christopher Nolan’s most ambitious project yet may be Interstellar. Not just in terms of scope but also in terms of emotion. The Earth is becoming slowly uninhabitable (fires, dust storms, water depletion, etc.) thanks to the hubris of mankind and so now the only recourse is to find a new habitable home . . ….

Movie Review: Les Misérables (2012)

From the page to the stage to the screen, it’s been quite the journey for Les Misérables. Once Victor Hugo’s novel, then Cameron Mackintosh’s stage musical, and now Tom Hooper’s movie, the beloved tale of lives in the gutters of 19th century France hits the big screen in musical form looking, well, almost identical to…

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