In 2002, the superhero genre achieved an ideal form in “Spider-Man,” which built upon aspects from the Superman and Batman franchises as well as 1998’s “Blade” and 2000’s “X-Men.” Over the subsequent two decades, the genre developed and expanded, but a consistent aspect throughout is the cinematic expression of the experience of superpowers. This was…
2018’s “A Quiet Place” is a terrifically focused and tightly wound horror film, which uses silence interspersed with jump scares to create a thoroughly thrilling experience. How then to follow it up with a “Part II?” Writer-director John Krasinski does so by expanding the world of the first film while also maintaining the focus on…
“Who are we if we can’t protect them?” Evelyn Abbott (Emily Blunt, “The Girl on the Train”) asks her husband Lee (John Krasinski, “13 Hours: The Secret Soldiers of Benghazi”) in one of the only scenes in A Quiet Place in which dialogue can even be heard. The “them” Evelyn is referring to are her…
With Detroit, Oscar winning director Kathryn Bigelow (“The Hurt Locker”) and her team have put together a kick-in-the-mouth, knock-your-socks-off movie experience you won’t forget in a docudrama staging of the Detroit race-riots of 1967. Starting with a routine police raid of an illegal after hours club where the local residents harass the police as they…
Few films actually have an opportunity to affect presidential politics (the last one was probably Phillip Kaufman’s “The Right Stuff” in 1983, which featured a glowing characterization of John Glenn — played by Ed Harris — who was then running for the Democratic nomination), but 13 Hours: The Secret Soldiers of Benghazi, directed by Michael…
Cameron Crowe’s latest film, Aloha, his first larger scale project since 2011’s “We Bought a Zoo,” does not, unfortunately, come with the zest and alacrity of it or some of his earlier better works, like “Jerry Maguire.” It is light-hearted, well-intentioned (Hawaiian virtues are espoused) fare tailored to an audience that sees space as something…
For what is supposedly his final film, anime master Hayao Miyazaki ambitiously departs from his usual genre territory and yet still honors his innermost passions while once again expressing wonder through the imaginative eyes of its protagonist. The Wind Rises stands out in Miyazaki’s filmography because not only is it anchored in reality when nearly…
