You and I both know the truth. You just don't admit it.
The laser-like focus afforded by a compact running time is used to intensely impactful use in Phil Sheerin’s North, a 20-minute short about a teen boy wrestling with the inevitability of his ailing mother’s impending death. It’s rough subject matter, bleak and tragic, the kind of thing that would tempt many filmmakers to tug at…
With just a handful of mostly stationary wide shots and a mere twelve minutes of actual screentime, writer/director Jörn Threlfall examines a cinematic crime scene with a clinical curiosity and an eerie air of mystery. He introduces no character arcs in his powerful short Over, instead engaging his audience by putting us in the role…
Jacques Audiard has previously explored his primary cinematic interests by telling a tale of crime as a way of life and a tale of an unlikely family as a means of redemption. Now he’s combined the two in his latest movie, where he examines the intersection of these dramatically rich topics with carefully complex attention….
Heartstrings are tugged quite relentlessly in Lee Whittaker’s hyperbolically dark and dingy drama Catching Fireflies, but perhaps to touching effect. Whittaker has some very slick tools in his filmmaking arsenal and so he successfully crams a lot of style and technically ambitious tricks into the compact 19 minute running time, while convincingly depicting the hellishly…
Clumsy action thriller Momentum may as well be retitled “Further Proof That Morgan Freeman Will Star in Anything.” The towering talent who has played everyone from Robin Hood’s sidekick to God is cinematically ubiquitous and yet has long since remained respectable while slipping deeper into embarrassing paycheck territory. One has to think that the reason…
The great outdoors can be a dangerous place, especially if you’re an idiot. That seems to be the prevailing message loudly stomping around the surface of Adam MacDonald’s man-vs-nature thriller Backcountry. It’s the kind of jangly fright flick that appears to be about bad things happening to good people, but actually turns out to be…
There was a time when the zombie movie was confined to a single genre, back when George Romero was terrorizing survivors in farm houses and shopping malls, but now things have gotten more complicated. The popular-as-ever undead have wandered beyond horror into the comedy, action, and drama genres. It’s great that they’ve branched out, but…
