Articles by Howard Schumann

The Critical Movie Critics

I am a retired father of two living with my wife in Vancouver, B.C. who has had a lifelong interest in the arts.


Movie Review: Capernaum (2018)

“I’m Nobody! Who are you? Are you — Nobody — too? Then there’s a pair of us!” — Emily Dickinson They are children of the streets. You can see them in the slums and marginalized neighborhoods of every major city in the world — begging, selling trinkets or other wares, carrying heavy loads for some…

Movie Review: The Favourite (2018)

Greek director Yorgos Lanthimos, whose previous films have expressed a rather jaundiced view of humanity (“The Killing of a Sacred Deer,” “The Lobster”), has found a most appropriate target for his cynicism in his “mainstream” comedy, The Favourite, the story of sickly 18th century British monarch Queen Anne (Olivia Colman, “Murder on the Orient Express”)…

Movie Review: Crazy Rich Asians (2018)

You don’t need to be rich or Asian to enjoy this film, but it helps if you are crazy. Unless you sneaked aboard NASA’s InSight Lander, you may have heard that John M. Chu’s (“Now You See Me 2”) satirical Crazy Rich Asians is the first Hollywood film since 1993’s “The Joy Luck Club” to…

Movie Review: Roma (2018)

At a time when typical Hollywood fare consists of retreads and blockbusters aimed at mass markets, introspective and highly personal films have become increasingly rare. That alone is reason to celebrate Alfonso Cuarón’s (“Gravity”) Roma, an intimate journey that draws on the director’s memory of a childhood filled with domestic turmoil as well as a…

Movie Review: Burning (2018)

Outwardly unexpressive but inwardly volatile, Jongsu (Yoo Ah-in, “The Throne”), a young delivery man, aspires to be a writer but does not write. He asks himself, “What kind of story can I write?” but he is an outsider looking to the world to provide a story for him. “To me, the world is a mystery,”…

Movie Review: Green Book (2018)

Martin Luther King’s message that people should be judged not on the color of their skin but on the content of their character came one year too late to reach the folks encountered by black Jamaican jazz pianist Dr. Don Shirley (Mahershala Ali, “Hidden Figures”), in his 1962 concert tour of the segregated Deep South….

Movie Review: Can You Ever Forgive Me? (2018)

Nigerian poet and novelist Ben Okri said, “Writing comes partly out of being wounded by life. The need to create art is connected to a need to heal.” Without a market for her books and Isolated from her literary peers, for Lee Israel (Melissa McCarthy, “Ghostbusters”) healing has given way to loneliness, alcohol, and deception….

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