Dr. Vincent M. Gaine is a film and television researcher. His first book, Existentialism and Social Engagement in the Films of Michael Mann was published by Palgrave MacMillan in 2011. His work on film and media has been published in Cinema Journal and The Journal of Technology, Theology and Religion, as well as edited collections including The 21st Century Superhero and The Directory of World Cinema.
From its opening shots of a city by night to its final image of a teenage boy entering an apartment block, La Granja (English title: “The Farm”) declares its interconnectivity and sociological credentials for all to see. Set in the Barrio La Esperanza area of Puerto Rico, writer-director Angel Manuel Soto’s film presents three narrative…
London. One of the nerve centers of world government. Home of the Houses of Parliament, St Paul’s Cathedral and Buckingham Palace. Home of black cabs and the Tube. Home to a thousand nationalities and one of the most cosmopolitan metropolises in the world. Home of the elastic ruler, the clockwork lamppost and the inflatable knitting…
SPECIAL GUEST REVIEWER: I am Groot. Much like our guest reviewer, I was delighted with Guardians of the Galaxy Vol. 2. It balances action, humor, character dynamics and stunning effects both visual and practical with multiple plot strands and explorations of family, regret and reconciliation. It is all the more impressive considering what it has…
Sport films can be annoying for non-sport fans, if they require a pre-existing interest in the sport itself. The more effective films in this genre, therefore, are often historical dramas that present the life of an individual through history, with the relevant sport part of his or her life. This gives filmmakers the opportunities to…
Despite taking place largely in a single location, Fabio Guaglione and Fabio Resinaro’s film, Mine, manages to tell a varied story of life experiences, a story that touches on family history, personal regrets and misunderstandings, and even a subtle political critique of US militarism. Playing like a cross between “The Hurt Locker” and “127 Hours,”…
The Ottoman Lieutenant is a modest yet powerful film, one that sweeps the viewer into its world with majestic scope, while maintaining a keen eye for detail and never offering more than it can deliver. Romance, coming of age, duty and responsibility, violence and compassion, politics and history come together in an impressive whole, captured…
Mathematics and mathematicians may not appear to be the most dramatic material. Filmmakers seem aware of this potential failing, and thus produce subtle, nuanced and often very impressive films based around this topic, which end up being award contenders. Such is the case with Hidden Figures, for in the tradition of (Oscar winners) “Good Will…
