Nature documentaries have recently come into a league of their own. With a combination of incredible new technology and scientific research, they are more able than ever to present us with the marvels of the natural world — and consequently, confront us with the realities of our environmental impact on these marvels. In this landscape,…
“Fuck your TV. I’ve got my T-Rex.” “It’s OK in the swamp, especially if you’re the number one toad.” Leto, written and directed by Kirill Serebrennikov (“The Student”), has received much buzz because of the director’s house arrest — apparently because he is no friend of Vladimir Putin. It has also been criticized for not…
John Madden’s 1998 film “Shakespeare in Love” proposed a secret love affair as being the inspiration behind Shakespeare’s most popular play, “Romeo and Juliet.” The film’s widespread success revealed the public’s longing to find a real human being behind the name of the iconic poet and playwright who composed at least 37 plays, 154 sonnets,…
Everyone should be able to digest a charming love story, right? How can one resist an urban romancer featuring attractive lovebirds coming from different sides of the tracks, the energetic rush of city life and the unsuspecting hands of fate? Well, this is the proposed premise for director Ry Russo-Young’s (“Before I Fall”) young adult…
In an interview, Kevin Feige confirmed that he had a plan for the next five years of Marvel Cinematic Universe (MCU) films. When talking about that plan he said — in reference to the possibility of an appearance from the X-Men, who Disney now own — that fans should “not hold their breath” and that…
The most dramatic sequences of 2018’s Best Picture, “Green Book,” involved the piano playing of Doctor Don Shirley. In another recent awards winner, “Bohemian Rhapsody,” the recreations of Freddy Mercury’s performances proved to be a high point. These sequences, well-rendered by directors Peter Farrelly and Bryan Singer, respectively, are put into the shade of the…
I’m not totally sure if A Vigilante — the feature debut from writer-director Sarah Daggar-Nickson — is meant to be soaked up as entertainment so much as a reconciliation between movies-as-art and movies-as-therapy. The small-scale story is interested in a single dominating issue, that of domestic violence, though in ways that feels inconsistently intentioned, despite…
