Justice League is absolutely fucking terrible. There I said it. Now let me tell you why. The characters suck. I hate Ben Affleck (“The Accountant”) as Batman. He looks fat and wears an ugly sweater in all his scenes as Bruce Wayne. This new version of Batman also looks very sluggish while fighting. It’s almost…
Mr. Roosevelt is a quirky comedy written, directed by and starring comedian Noël Wells (“The Incredible Jessica James”) and is about a struggling funny person who travels from Los Angeles back to her old stomping grounds in Austin, Texas when a loved one falls ill. While there, she has the misfortune of staying with her…
Drew (Scott Eastwood, “The Longest Ride”) is a guy who hates his job. When he runs into an attractive woman, he decides to join the same acting school she attends, for no other reason than that he wants to — in his words — “bang her.” Hijinks follow, he makes friends while learning a lesson…
According to Swedish director Ruben Östlund (“Force Majeure”), society today has turned its back on the social contract, the obligation that people not only express their concerns for other’s well-being but act upon them in concrete and meaningful ways. Winner of the Palme d’Or at the 2017 Cannes Film Festival, Östlund’s latest film, The Square,…
The digital age is slickly skewered on the sharp blade of a knife that cuts a clean swath of revenge through a wealthy family’s existence in sick satirist Yorgos Lanthimos’ genre-blurring The Killing of a Sacred Deer. Lanthimos buries his satirical observations deep and then brushes away select portions of the surface to reveal grim…
In Una, the powerful screen adaptation of David Harrower’s play “Blackbird” about the sexual abuse of a thirteen-year-old girl, Australian director Benedict Andrews does what has become increasingly uncommon in modern cinema — he makes us think. While it may be uncomfortable to look outside of the reassuring categories of victim and victimizer, Andrews asks…
Many people can relate, and even confess, to being unmotivated in life. When ambition has disappeared and all our fears of rejection and failure become all too realistic, we retreat into what is comfortable. For once promising chef, twenty-something-year-old Charlie Brenner (spectacularly portrayed by Freddie Highmore, “The Art of Getting By”), this common feeling of…
