Crime

Movie Review: In the Fade (2017)

“Some people survive and talk about it. Some people survive and go silent. Some people survive and create. Everyone deals with unimaginable pain in their own way, and everyone is entitled to that, without judgement . . . Remember how vast the ocean’s boundaries are. Whilst somewhere the water is calm, in another place in…

Movie Review: Murder on the Orient Express (2017)

There is a moment early in Kenneth Branagh’s intricately constructed adaptation of Agatha Christie’s classic whodunnit when Hercule Poirot (Branagh) stands on the deck of a ship as it leaves Istanbul. Poirot is captured center frame: The deck, the railing, the adjacent cabin and the sea itself are balanced perfectly around him. The shot is…

Movie Review: Bright (2017)

There isn’t a solitary way to absorb and dissect the various idiosyncrasies and potentials that exist within Netflix’s most expensive feature film, Bright. Director David Ayer has teamed up with screenwriter Max Landis to conjure up a world where “Lord of the Rings” wants to be a gritty police remake of “Harry Potter.” A novel…

Movie Review: Suburbicon (2017)

Suburbicon, the worst and even worse timed movie of the year, feels like someone put “Pleasantville,” “Fargo,” and the Vault Tech initiation videos from the Fall Out video game franchise into a blender in a grotesque, heavy on the white-splaning approximation of the recipe for “Do the Right Thing.” The resulting slop, entirely missing ingredients…

Movie Review: Wetlands (2017)

In the midst of the devastation that was Hurricane Sandy back in 2012, New Jersey’s notorious play land, Atlantic City, was stripped to a bleak and torn terrain. First-time director Emanuele Della Valle uses this as a backdrop for his crime-drama film debut, Wetlands. The grey wasteland welcomes a once rogue Philadelphia cop, Babel (Adewale…

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