Heartstrings are tugged quite relentlessly in Lee Whittaker’s hyperbolically dark and dingy drama Catching Fireflies, but perhaps to touching effect. Whittaker has some very slick tools in his filmmaking arsenal and so he successfully crams a lot of style and technically ambitious tricks into the compact 19 minute running time, while convincingly depicting the hellishly…
Un Certain Regard prize winner at the Cannes Film Festival, Rams (Hrútar) is a comedy/drama where communication is a luxury until it becomes a matter of survival. Directed by Grímur Hákonarson (“Summerland”) and set in a remote village in Iceland, it is the story of two unmarried brothers, Gummi (Sigurður Sigurjónsson, “Brave Men’s Blood”) and…
While no movie can fully capture the madness of what life in a concentration camp must have been like, László Nemes’ Cannes Grand Prize Award winning Son of Saul, his first feature film, may come close to recreating the experience. Written by the director and Clara Royer and shot in 35mm with a 4:3 aspect…
Everybody is fine in Every Thing Will Be Fine. This is a title that lives up to its expectations. They’re all fine . . . just fine: Actors, cinematographer, production designer, sound mixer, editor, writer . . . filmmaker. And it would be all relatively okay were this not a Wim Wenders’ movie. It’s been…
I have to be honest, I might just have the world’s worst case of Acrophobia (for laymen, a fear of heights). This phobia could not have manifested itself any more acutely than during the newest release, The Walk, directed by Robert Zemeckis (“Who Framed Roger Rabbit,” the “Back To the Future” franchise and Academy Award…
Winner of the Best Director Award at the Cannes Film Festival, Hou Hsiao-hsien’s (“Flight of the Red Balloon”) first film in eight years, The Assassin (Nie yin niang), may initially seem out of character for a director whose previous work has been in realistic social dramas set in a contemporary historical context. Yet it is…
There are more coming-of-age films than masterpieces in the Louvre, but there are only a handful of them that have stood the test of time, even though teen-speak changes over the years. First-time Canadian director Andrew Cividino’s Sleeping Giant, an update of the short that won the youth jury prize at Locarno International Film Festival…
