It is fitting that there are two competing readings of François Ozon’s Double Lover. The film dually presents as a highly stylized, seductively sleek French psychosexual thriller and this “I Know Who Killed Me”-esque overtly overly symbolic camp. Not wanting to assign one dominance over the other or perhaps unable to distinguish between apparent equals,…
As you’ve grown up, have you ever been ostracized from other children, for whatever reason? Maybe you were the kid who smelled, or wore thick glasses. Maybe you simply liked things that weren’t cool enough for elementary school status quo. Children generally have little-to-no sense of empathy when they’re that young, and so school can…
And with that, the war on Valentine’s Day is over. It took two films, but finally Christian (Jamie Dornan, “Anthropoid”) shows off the smarts they said made him capable of running a company: Using just one ring rather than many cables to bind his love, Anastasia (Dakota Johnson, “How to Be Single”). Fifty Shades Freed…
Written and directed by Brian Crano, Permission is a unique take on modern romance that deserves more attention than it’s gotten, particularly for its wide array of truly likable characters. Set in Brooklyn, the film examines a long-term couple who become interested in expanding their experiences beyond each other, and honestly considers the consequences of…
It should surprise no one: Daniel Day-Lewis shines in Paul Thomas Anderson’s bold and elemental romantic drama, Phantom Thread. The 60-year-old, who’s pledged to leave the silver screen, provides a well-sewn performance in this sendoff. And Anderson, an auteur by nearly any standard, dazzles again with masterful scenery, elegant costumes and a deeper look into…
In the typical Hollywood success story, a talented individual starts out in life with a full head of steam, gets a bad break, and then, with the help of a teacher or other mentor, overcomes adversity and the story ends on a note of triumph and tears. Things are not so simple, however, for Canadian…
While we know that some monsters are decidedly not lovable, the creature in Mexican director Guillermo del Toro’s The Shape of Water, like many humans who roam the planet, is more of a lonely outcast seeking connection than a life-threatening presence. Performed by Doug Jones (“The Bye Bye Man”) underneath all the prosthetics, this monster…
