Thriller

Movie Review: First Reformed (2017)

In a day where some churches feel that the larger donation you make, the closer you will be to God, and where the biggest donors are the ones despoiling the planet, there are several choices you can make: Blow yourself up and take some transgressors with you, accept it and internalize your despair, or find…

Movie Review: Hereditary (2018)

Hereditary begins after a 78-year-old woman, Ellen, dies, leaving her daughter Annie (Toni Collette, “Krampus”), teenage grandchildren Peter (Alex Wolff, “Coming Through the Rye”) and Charlie (Milly Shapiro), and their father Steve (Gabriel Byrne, “The 33”) alone in the house they’d shared at the end of her life. That’s one thing made eloquently and devastatingly…

Movie Review: Inheritance (2017)

I know how it looks. Ari Aster’s “Hereditary” is just becoming this year’s classy horror breakout hit, and here’s a lousy, straight-to-VOD knock-off with a conspicuously similar title, right? Well, there are no coincidences in marketing, but it turns out that Inheritance is actually a decent psychological thriller: Atmospheric, well-played and well-made, and dead serious….

Movie Review: Hotel Artemis (2018)

“Just another Wednesday,” the visibly fatigued nurse exclaims as she tends to a bullet wound of one of the guests of her dimly lit, blood spattered hotel for crooks. The only rules of the underground institution: No guns, no cops, and no killing of other guests. Throughout the film’s jaunting plot we watch thieves, assassins…

Movie Review: Breaking In (2018)

Experiencing cabin fever in the generic home invasion thriller Breaking In is the least of the problems that overcome star/co-producer Gabrielle Union’s project as a periled, butt-kicking mother up against brutish home invaders. Although the premise of a bad-ass caretaker defending her children as desperate criminals look to infiltrate the safety of the home presents…

Movie Review: 211 (2018)

You know how, when you draw a bath and the water’s too hot to get into, so you let it sit there for a while but when you come back it’s too cold to get into, thus rendering it kind of useless? That’s what 211 is like. It’s tepid, lifeless, waste of time (if not…

Movie Review: Hangman (2017)

The cop procedural is a struggling genre, at least as far as film goes. With so much new content provided weekly via television shows, there’s hardly any room to grow. Yet it remains one of the more popular genres viewed at home, and honestly, home is probably the best place to view Hangman, which hardly…

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