The tragic ramifications of rhino poaching are examined in touching detail by writer/director Toby Wosskow, whose 17-minute dramatic short Sides of a Horn looks mournfully at the human players in this horrific conflict that has pushed an ancient species to the brink of extinction. With little time to establish the situation and develop a plot…
Finally getting a release in English-language regions is Latvian director Aik Karapetian’s follow-up to his grisly “The Man in the Orange Jacket,” Firstborn. Latvia sits between Scandinavia and Russia, so it’s perhaps apt that this stylish, moody thriller evokes some of the black-comic absurdity of the former and the miserablist austereness of the latter. From…
Weddings are to romantic comedies what CGI-heavy final acts are to the superhero genre. They’re the place where emotions culminate, heartfelt speeches are delivered, and true love (almost) always wins out. Part of the reason they’re a natural fit is that these are the days that we start planning from a young age. I can…
“Fuck your TV. I’ve got my T-Rex.” “It’s OK in the swamp, especially if you’re the number one toad.” Leto, written and directed by Kirill Serebrennikov (“The Student”), has received much buzz because of the director’s house arrest — apparently because he is no friend of Vladimir Putin. It has also been criticized for not…
The ongoing “Ip Man” movie franchise, essentially a series of increasingly fictional biopics about the martial arts master most famous for teaching a young Bruce Lee, has long been a solid source of slickly spectacular set pieces. Now, the tradition continues in the spin-off Master Z: The Ip Man Legacy, another action extravaganza pitting a…
A middle-aged man (Surapol Poonpiriya) picks up a teenage girl (Prapamonton Eiamchan) from school. The way he’s smiling at her, you’d think he’s her adoring father. Suddenly he punches her for swearing and expects her to give him a handjob. He drives her to his shabby “love hotel,” Motel Mistress. Tot Niyom (Wissanu Likitsathaporn) is…
The end times are already here in writer/director/co-producer/star Lauren Cooney’s loudly dramatic end-of-the-world short Pendulum, but good luck taking the situation seriously. Something has been lost in translation between concept and execution for this story of a couple grappling with how to spend their final hours on Earth. As explained in a clunky manner via…
