After ten years in L.A., Becky Westlake (Brigid Brannagh, “The Nurse”), a successful artist and potter, has decided to venture out of her comfort zone in search of the perfect place to start over. Having successfully managed a gallery and making a name for herself, she’s decided she wants to find a home far away…
All Hell Breaks Loose opens like so many other movies; a group of friends pounding beers, making out, and blasting rock music around a bonfire in the woods. Within minutes, however, this modern grindhouse flick becomes unlike anything you’ve ever seen. A gang of menacing bikers rolls up, tattooed and black bandana-ed and trailing a…
Writer-director Graham Jones (“The History Student,” “The Randomers,” “How to Cheat in the Learning Certificate”) can be astutely described as a lyrical Irish filmmaker with moving narratives that seem so personal and profound in dramatic simplicity. In Jones’s latest indie drama Nola and the Clones he helms yet another soulful exposition grounded in the given realities of…
Racism is still alive. We know that very well, even when, sometimes, some still have the nerve to deny it. Racism was an entirely economic enterprise through which something utterly immoral was justified on the very grounds of morality (i.e., white supremacy) — and the US had never done better, economically speaking, than when racism…
Kill or be Killed (originally “Red on Yella, Kill a Fella”) is the kind of movie you want to root for: A genre bending romp across West Texas that has everything from spaghetti/western tropes like combination brothel-saloons, flasks of whiskey passed around fires, and shootouts everywhere from chain gangs to churchyards, to horror related elements…
British social realism is a cinema movement that developed in the 1960s with an eye to portraying the dour and grim reality of working class life in Britain. Such titles as “Kes” (1969), “Saturday Night and Sunday Morning” (1960) and “My Beautiful Launderette” (1985) explored social tensions around race, gender and sexuality, as well as…
Indeed, Southbound is a collaborative effort in every sense of the word. Sure, all films that are made are collaborative productions. However, this horror anthology has a lot of moving parts with four co-directors overseeing five different stories carrying messages of mystique and moody overtones. The ambitious undertaking by the quartet of filmmakers in Roxanne Benjamin,…
