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Movie Review: Index Zero (2014)

Science fiction has the ability both to portray fantastical possible worlds and to highlight the realities (and frequently, the iniquities) of our own world. Dystopia especially takes aspects of contemporary culture and society and exaggerates them for dramatic effect. One of the most popular themes of dystopia is class, ranging from the workers of “Metropolis”…

Movie Review: The Act of Killing (2012)

How hard it is to look at pure evil right in the eye? It is hard, very hard, mainly because, as Hannah Arendt very lucidly said, it is extremely banal. No apocalyptic Lucifer-like layouts, no tall teleologies or immense intentions; the people who do evil are brutally banal, practically plain — and they are of…

Movie Review: Horsehead (2014)

Nightmarish visions abound in Romain Basset’s horror mystery Horsehead and the narrative elements are so tightly focused here that the picture’s success relies almost entirely on the effectiveness of those visions. Basset makes the bold move to let the visions swallow the story so that the movie threatens to topple off the edge of reality…

Movie Review: Time Lapse (2014)

If you were presented with the opportunity to see into your future, would you take advantage of it? What kind of effect would this knowledge have on the way you live your life day-to-day? How would your interactions with your friends change? Would these changes be positive or negative . . . and for how…

Movie Review: Der Samurai (2014)

In a small village in Germany, a wolf lurks in the night, searching for food in neighborhood garbage cans, attacking pets, and generally terrorizing those who live there. Lonely, timid, and quiet Jakob Wolski (Michel Diercks), a local police officer, has taken it upon himself to lure the wolf away from people’s homes by buying…

Movie Review: White Rabbit (2013)

The unimaginable horror of school shootings has been the subject of several searing cinematic works to date, so anytime a filmmaker steps into the terrifying fray, it seems imperative that they’re aware of what others have done before them. Tim McCann’s White Rabbit appears to begin rather naively in that respect. As the young director…

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