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Movie Review: Coco (2017)

“Holding on to anger is like drinking poison and expecting the other person to die” — Buddha Directed by Lee Unkrich (“Toy Story 3”) and Adrian Molina, Coco, the latest animated film from Disney-Pixar tells us to follow our dreams, seize the moment, and regard our family as paramount. These ideals can often be mutually…

Movie Review: Jane (2017)

In 1960, primatologist Jane Goodall, the 26-year-old secretary of paleontologist Louis Leakey, was chosen to conduct research in Africa for his study of the influence of apes on primitive man. Though she was not a scientist and never attended university, her open mind, love of animals, and the strong support she received from her mother…

Movie Review: Wonderstruck (2017)

I’ll start my review for Wonderstruck like this: If Wonderstruck doesn’t get a nomination for best picture this year then something is horribly wrong. It’s hard to imagine — and I haven’t yet seen — another 2017 film that equals or tops it. Todd Haynes, a director known for bringing queer cinema to the mainstream…

Movie Review: The Man Who Invented Christmas (2017)

With dazzling visuals, abundant holiday charm and a committed performance from Dan Stevens (“Beauty and the Beast”), The Man Who Invented Christmas doesn’t quite garner a “humbug.” In fact, it is a real pleaser — light and playful as it may be. The origin story simplifies Charles Dickens’ trials and tribulations while writing “A Christmas…

Movie Review: Faces Places (2017)

89-year-old filmmaker Agnès Varda (“The Beaches of Agnès”) said, “I have a nice relationship with time, because the past is here, you know? I’ve spent time, if I have something of my past, I’ll just make it, nowadays, I make it now and here.” Varda makes both past and present come alive in Faces Places…

Movie Review: Love, Kennedy (2017)

Inspirational dramas are inherently uplifting, motivational and psychologically gripping. Their feel-good elements or inevitable triumph-into-tragedy climaxes are the functional foundations behind rewarding, emotionally-charged cinema. However, tear-jerking tales of adversity sometimes often fall into the realm of derivative dramatics that register in mawkishness despite their well-intentional pursuit of truthful sentimentality. Writer-director T.C. Christensen’s (“The Cokeville Miracle”)…

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