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Movie Review: Double Lover (2017)

It is fitting that there are two competing readings of François Ozon’s Double Lover. The film dually presents as a highly stylized, seductively sleek French psychosexual thriller and this “I Know Who Killed Me”-esque overtly overly symbolic camp. Not wanting to assign one dominance over the other or perhaps unable to distinguish between apparent equals,…

Movie Review: Submission (2017)

Despite being a relatively well-made, exceedingly well-acted film, Submission has a litany of significant and fundamental flaws that simply cannot be ignored. Written and directed by Richard Levine, the film is based on Francine Prose’s novel Blue Angel, and tells the tale of Ted Swenson (Stanley Tucci, “Transformers: Age of Extinction”), an author and creative…

Movie Review: Proud Mary (2018)

There are many variables transpiring in the gritty, yet grating, urban crime flick Proud Mary that want desperately to embrace themes of unconventional motherly instincts and clichéd street-wise mayhem. Unfortunately for “The Curious Case of Benjamin Button” Oscar-nominated star Taraji P. Henson (who also has an executive producing credit for this lopsided actioner), her labored…

Movie Review: Game Night (2018)

Does anyone want to play a game? Shake your head if it’s Max (Jason Bateman, “Office Christmas Party”) and Annie (Rachel McAdams, “Doctor Strange”) asking, unless losing is your thing. In a slickly assembled montage, the couple is revealed to be “all day, every day” champions of trivia, scrabble and charades. But they’re only game-night…

Movie Review: Annihilation (2018)

Alex Garland’s Annihilation is a complex puzzle, mixing the extraterrestrial with the most microbial elements of humanity. Its characterization is strong throughout — as its themes are mirrored in its leading lady — but its most promising components come in the form of visual metaphors. They’re scattered strategically throughout the 115-minute science fiction thinker. Where…

Movie Review: A Fantastic Woman (2017)

Somber, unrelenting and ultimately life-affirming, A Fantastic Woman is a powerful portrait of Marina Vidal, an eponymous woman and transgender character played fantastically by transgender actress Daniela Vega (“The Guest”), who must navigate institutional and individual intolerance and discrimination when her lover, Orlando (Francisco Reyes, “Neruda”), dies unexpectedly. The circumstances surrounding Orlando’s sudden death raise…

Movie Review: Fifty Shades Freed (2018)

And with that, the war on Valentine’s Day is over. It took two films, but finally Christian (Jamie Dornan, “Anthropoid”) shows off the smarts they said made him capable of running a company: Using just one ring rather than many cables to bind his love, Anastasia (Dakota Johnson, “How to Be Single”). Fifty Shades Freed…

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