The Giver (2014) by The Critical Movie Critics

Movie Review: The Giver (2014)


The Giver (2014) by The Critical Movie Critics

Passing of knowledge.

Suppose the ultimate version of Nostradamus was thrown onto the silver screen. Now suppose that his specialty was not simply predicting the future, but also holding and carrying the knowledge of all mankind. This is the basic premise to Phillip Noyce’s film, The Giver and Jeff Bridges (“True Grit”) plays this mix of political adviser, medicine man and tarot card reader with grace and authority.

Alongside Bridges, there is another unexpected Oscar winner in the mix — Meryl Streep (most recent win: “The Iron Lady”) — who lays down the law as Chief Elder. Her eerie bangs and drab look fervidly command the screen, especially as she’s seen in hologram, appearing in people’s homes without warning and full of apologies (her many unsympathetic “sorry’s” eventually irritate). With exemplary performances from the A-listers in hand and the conceptual wherewithal of the project, The Giver becomes a watchable film with a fair amount of staying power although Noyce’s product is not so much commendable for the way it unfolds the narrative, but for the visual efficacy and ambitiousness of concept.

The Giver, based off of the Lois Lowry Newbery Medal-winning, young adult novel of the same name, follows Jonas (Brenton Thwaites, “Maleficent”), a boy of 18 (12 in the book) who is graduating from a program in a creepy commune-like land and is ready to earn a role with the adults. While his friends Asher (Cameron Monaghan, “Vampire Academy”) and Fiona (Odeya Rush, “The Odd Life of Timothy Green”) get chosen for jobs, Jonas is passed up. He is informed by the Chief Elder that he will soon be the Receiver of Memory, a position currently held by The Giver (Bridges). Both men have distinct markings on their arms, so when they touch, The Giver is able to transfer an assortment of human memories to the young man who does not yet know feeling or emotion. He, along with all the others, cannot even see color. Day by day, The Giver, who does see the spectrum, play music and has the capacity to love, transfers the primal, human memories to Jonas, who soon realizes the society in which he lives may not be so Utopian after all.

The Giver (2014) by The Critical Movie Critics

Possible love?

Clocking in at a relatively short 94 minutes, a good portion of the film is in black in white which could easily throw off unsuspecting viewers. Wisely, however, as the discovery of what it is to be alive and the history of the world begin to slowly unfold, cinematographer, Ross Emery, introduces more and more color to what can be best described as a sterile existence. And as this occurs, the music from Marco Beltrami’s score enhances the emotion attached to the unearthing in a genuine way.

This focus helps to see past the very average performances from Thwaites, Rush and Monaghan. They’re not so bad that it’s a distraction but when the likes of Katie Holmes (“The Son of No One”) and Alexander Skarsgård (“Battleship”) as Jonas’ mother and father, and Taylor Swift (“The Lorax”) as the preceding Receiver of Memory can upstage with limited ability in smaller roles it’s noticeable.

There’s also plot holes a plenty and unanswered questions (which may find answers if further books in the series are adapted) that keep The Giver from ascending as high as it could have. Nonetheless, it is an admirable undertaking, especially when one considers the abundance of similar dystopian themed YA titles in and out of the hopper. It is not always best, as the film preaches and practices, to conform.

Critical Movie Critic Rating:
3 Star Rating: Average

3

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The Critical Movie Critics

Dan is an author, film critic and media professional. He is a former staff writer for the N.Y. Daily News, where he served as a film/TV reviewer with a "Top Critic" designation on Rotten Tomatoes. His debut historical fiction novel, "Synod," was published by an independent press in Jan. 2018, receiving praise among indie book reviewers. His research interests include English, military and political history. He's currently an account executive for a New Jersey public relations firm.


'Movie Review: The Giver (2014)' have 8 comments

  1. The Critical Movie Critics

    August 18, 2014 @ 4:36 pm Nice-4-Soup

    I loved the book so I’m not going to chance ruining it by seeing the movie.

  2. The Critical Movie Critics

    August 18, 2014 @ 6:02 pm Henry Chamberlain

    The universe would cease to exist if Katie Holmes outperformed anyone. And since this obviously did not happen, your observation is proved false.

  3. The Critical Movie Critics

    August 18, 2014 @ 6:37 pm office of surrealist investigations

    ENOUGH WITH THE TEENAGE DYSTOPIA.

  4. The Critical Movie Critics

    August 18, 2014 @ 7:10 pm Rojo

    Brenton Thwaites was unconvincing as a person experiencing new sensations for the first time. Ruins the whole movie since his awakening is at the heart of the movie.

  5. The Critical Movie Critics

    August 18, 2014 @ 8:22 pm Neoglitch

    At least Jeff Bridges is good.

  6. The Critical Movie Critics

    August 18, 2014 @ 10:56 pm drakeca89

    Although I’m technically a young adult, I’m tired of the young adult adapts.

  7. The Critical Movie Critics

    August 19, 2014 @ 2:40 am Leveling

    Thought it was very middle of the road. There’s a lot good about it like the visuals and ideas, and there is a lot not so good about it like some of the acting and the ending.

  8. The Critical Movie Critics

    September 19, 2014 @ 11:22 am Abdulsalam Sinno

    “The Giver” Review.

    Emotions are what shape our world, our present, past and future. That what the authorities would take away from their citizens to have them controllable, or that what “The Giver” wishes to make us aware of. Memories what bring about emotions. If you cannot remember, you cannot sense. How could you love a person you never saw?

    In a hypothetical world, “The Giver” narrates a story of a seeming isolated community. Citizens are taught they are equal, in nourishment, duties, language, medications and their dwellings. The community seems utopian, or heavenly if I may say. However, as events go on, suspicions come out bit by bit. Elderly rule the society. People are categorized after graduation, based on their merits. One, the chosen, is allowed to receive the memory of the past, and keep it within to provide wisdom for elderly, the rulers, whenever needed. The giver is the one who transmits history via physically attached sessions of meditation every other day.

    The chosen receiver, while obtaining memories of the past, starts re-collecting emotions he loses through daily injections- every citizen is exposed to- thought curative as told. As he retrieves his memories, he feels what a real human can be. He experiences love, joyousness, music, habits and colors. It doesn’t look weird for an isolated community not to experience the said qualities, as they were never introduced, but extracted. It was enjoyable experiencing what a life could be with qualities such love, happiness and what have you. That said, Jonas, the receiver, was badly dreaded when he witnessed the other part of the story. War, as depicted in a killing scene, was not as lovely, but displayed voraciousness and brutality of humanity.

    The elderly claim that people will always choose wrong. Thus, communities have to be isolated from their own nature, and should be nurtured emotionless. However, could a man, who sees the real version, stay put and never attempts to change? Would a rebellious impulse originate to set a confrontation mode against an artificially constructed community?

    “The Giver” attempts to reflect the trade-off between equality and freedom. Who favor which and why? Politically, psychologically, philosophically and sociologically driven film is rich with ideas dawning viewers’ minds. Noteworthy movies are to be considered as source of knowledge if read well. “The Giver” is one of those!

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