Can an independent comedy about 14th-century religious debauchery involving naughty nuns be a legitimate rib-tickler in a sluggish summer movie season of wacky, yet toothless, farces (e.g., “The House”)? Refreshingly it can be, especially if it is writer-director Jeff Baena’s boisterous and bawdy The Little Hours, a corruptible comedy that brings its satirical cynicism to…
How to know if a tattered contraption is the harbinger of horror? Sense the way it affects reel people on real people. Commendable then is the Chinese musical wish box at the center of veteran genre cinematographer John R. Leonetti’s latest film where, after each of the lead’s wish is realized, a swath of our…
The camera loves Sam Elliott, and why not? He has a tall, lean body with thick gray, unruly hair hanging over a furrowed brow, a trademark horseshoe mustache to go along with dark chest hair; it all blends so well with the unforgettable masculinity in his deep, golden voice that seems to descend directly from…
The end of a relationship is chronicled convincingly and compellingly in Danish filmmaker Kristian Håskjold’s short Forever Now. It begins with the start of a breakup and ends with, well, the end of the breakup, so there are few plot-based surprises in its compact running time that barely exceeds 15 minutes. Instead, Håskjold is content…
It might not bode well when a film’s title is a text message initialism (compounded with a nonsensical exclamation rather than a question mark), but Peter Herro’s debut feature, WTF!, is a surprisingly enjoyable micro-budget slasher with an old-school sensibility. After a nifty credits sequence, which sees the camera prowl around a grisly crime scene,…
For many a superhero fan, whether in comic books, television or movie format, Spider-Man is likely to be a childhood favorite. Stan Lee and Steve Ditko’s creation of a nerdy teenager who acquires the abilities of a spider has struck nerves (or web strands) with multiple generations, as Peter Parker’s struggles with his new powers…
Inspirational dramas are inherently uplifting, motivational and psychologically gripping. Their feel-good elements or inevitable triumph-into-tragedy climaxes are the functional foundations behind rewarding, emotionally-charged cinema. However, tear-jerking tales of adversity sometimes often fall into the realm of derivative dramatics that register in mawkishness despite their well-intentional pursuit of truthful sentimentality. Writer-director T.C. Christensen’s (“The Cokeville Miracle”)…
