Movies often attempt to capture the breadth of a whole life fully lived, but few do so with little more than a single breath. That’s the aim of the lovely little short Bernie and Rebecca, which elliptically plays the part of a comedy at either end of its running time, while segueing sweetly into more…
When I first saw the trailer for The Infiltrator, I had high hopes, considering it concerns a U.S. Customs agent (Robert Mazur, for the record), responsible for nearly bankrupting the Medellín Cartel, which was an organized network of drug suppliers and smugglers originating in the city of Medellín, Colombia. If you were into cocaine in…
Vapidity loves company. Nicolas Winding Refn is all about the surface-level pose and the finely tuned image, so it’s fitting that his latest movie, The Neon Demon, sets its sights on the modelling industry and its harshly high standards of beauty. The plan is to use horror elements to illuminate the dark corners of a…
The dog days of the summer schlockbusters are upon us and soon we will be inundated with mediocre and below average films such as the new “Ghostbusters,” another “Ice Age” installment and the dismal “Mike and Dave Need Wedding Dates,” among others. Trying to fight this deluge, though, is the animated feature from Universal Pictures…
What is it about “Movie-That-Never-Was” stories that endlessly fascinate us? You’d think we’re better off not knowing what could have been. From “Lost in La Mancha” to “Jodorowsky’s Dune” there’s always that stinging compulsion to know what sank the ship. And given the continually escalating popularity of the superhero genre, I find it appropriate to…
With The Legend of Tarzan, Tarzan meets the cast of “Planet of the Apes” and no one comes out looking good. To this reporter’s count, there have been more than 30 screen adaptations of the semi-classic Edgar Rice Burroughs tale of “Tarzan, King of the Apes,” from the first appearance in 1918 (with silent star…
Shakespeare is synonymous with adaptation. His work has produced mutations that continue to adapt to the most dissimilar environments. The bard has shown in the last four hundred years that no matter the medium, the channel, the period, the era, the genre, the generation, the technology, his work keeps fitting all conditions, even the most…
