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Movie Trailer: Joker (2019)

Sure the Clown Prince of Crime got his accolades in “The Dark Knight,” but now with Joker it seems he’s finally gotten a film all to himself that he’s been deserving of. And it sure has a dark, dark Bernhard Goetz tone to it. Turns out Batman’s archnemesis was just an “ordinary” guy, living with…

Movie Review: Leave No Trace (2018)

“I am convinced there will be mutual understanding among human beings . . . in spite of all the suffering, the blood, the broken glass” — Pablo Neruda, Memoirs Based on the novel “My Abandonment” by Peter Rock and adapted from a screenplay by Granik and Anne Rosellini, Debra Granik’s Leave No Trace is the…

Movie Review: Tully (2018)

Each time that screenwriter Diablo Cody and director Jason Reitman team up, they create a singular female character that walks onscreen feeling fully formed and armed with lots to say. First it was Ellen Page’s precocious pregnant teen in “Juno,” then it was Charlize Theron’s perpetually perturbed author Mavis Gary in “Young Adult,” and now…

Movie Review: Una (2016)

In Una, the powerful screen adaptation of David Harrower’s play “Blackbird” about the sexual abuse of a thirteen-year-old girl, Australian director Benedict Andrews does what has become increasingly uncommon in modern cinema — he makes us think. While it may be uncomfortable to look outside of the reassuring categories of victim and victimizer, Andrews asks…

Movie Review: Beatriz at Dinner (2017)

One per-centers are taking it on the chin at the movies these days with recent releases like “The Founder” and “Get Out,” and now the latest cinematic smack out of Sundance, Beatriz at Dinner, a sly and telling exposé of class in America as seen through the eyes of a Mexican immigrant woman named Beatriz…

Movie Review: Fences (2016)

Two powerful lead performances drive Fences, a tale about a black family living in Pittsburgh during the mid-1950s, that, while the overall experience is mostly negative, the impact is nonetheless a powerful and emotional undertaking. The screenplay is adapted from the 1983 Pulitzer Prize winning play by the late August Wilson, which was revived in…

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