“I am convinced there will be mutual understanding among human beings . . . in spite of all the suffering, the blood, the broken glass” — Pablo Neruda, Memoirs If the genre known as bio-pic has evolved into a predictable linear account of a well-known person’s life, Chilean director Pablo Larraín (“Jackie”) has turned the…
While this J.A. Bayona (“The Impossible”) directed effort (based on a best-selling book by Patrick Ness), A Monster Calls, is a wonderful visual and visceral experience (and currently has critics fawning all over themselves), I, for one, can only wonder for whom this film was made. It’s certainly too dark and foreboding for children —…
Historical and even scientific truth can be merely the consensus agreed upon by those who presently have the power and influence to determine public opinion, or it can be based on evidence that has been tested in the laboratory, in debate, or in a court of law. Written by David Hare and based on the…
Like last year’s “The 33,” which told of the survival and rescue of a group of Chileans trapped in a gold mine in 2010, Lionsgate’s Deepwater Horizon, produced by and starring Mark Wahlberg (“Ted 2”), along with John Malkovich, Kurt Russell and Kate Hudson, relates the horrifying experience of another true life disaster culled from…
The conflict between satisfying one’s emotional needs and doing the right thing is spotlighted in Derek Cianfrance’s (“The Place Beyond the Pines”) intense drama The Light Between Oceans. Set in 1918, the film is based on M.L. Stedman’s debut novel, a work of sparse and understated beauty. Tom Sherbourne (Michael Fassbender, “X-Men: Apocalypse”), a traumatized…
It’s not always easy to do the right thing, even in a stable world. When the going gets tough, you know you’re supposed to do what’s right, but instead you do wrong. That’s the unfortunate reality of our responses to everyday situations . . . but what happens when your support system is gone? What…
“Time shall unfold what plighted cunning hides” — William Shakespeare, King Lear Except for unrelenting bulldogs like Seymour Hersh (who had to publish his latest article outside of the U.S.), true investigative journalism seems to have become as obsolete as the 8-Track Tape. Tom McCarthy’s (“The Cobbler”) Spotlight, however, reminds us of what it was…
