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Movie Review: American Factory (2019)

In the last few decades, films about workers and the labor movement in American cinema have been few and far between. Documentaries such as American Factory, however, can begin to shed light on the problems facing workers in the 21st century world of global capitalism. Directed by Steven Bognar and Julia Reichert (“Making Morning Star”),…

Movie Review: Roma (2018)

At a time when typical Hollywood fare consists of retreads and blockbusters aimed at mass markets, introspective and highly personal films have become increasingly rare. That alone is reason to celebrate Alfonso Cuarón’s (“Gravity”) Roma, an intimate journey that draws on the director’s memory of a childhood filled with domestic turmoil as well as a…

Movie Review: Green Book (2018)

Martin Luther King’s message that people should be judged not on the color of their skin but on the content of their character came one year too late to reach the folks encountered by black Jamaican jazz pianist Dr. Don Shirley (Mahershala Ali, “Hidden Figures”), in his 1962 concert tour of the segregated Deep South….

Movie Review: A Fantastic Woman (2017)

Somber, unrelenting and ultimately life-affirming, A Fantastic Woman is a powerful portrait of Marina Vidal, an eponymous woman and transgender character played fantastically by transgender actress Daniela Vega (“The Guest”), who must navigate institutional and individual intolerance and discrimination when her lover, Orlando (Francisco Reyes, “Neruda”), dies unexpectedly. The circumstances surrounding Orlando’s sudden death raise…

Movie Review: The Post (2017)

If The Post was little more than a piece of agitprop beating the drums for the value of a free press in a democracy, it would more than justify its reason for being. The fact that it is so much more is a testament to the skills of director Steven Spielberg and the talents of…

Movie Review: Neruda (2016)

“I am convinced there will be mutual understanding among human beings . . . in spite of all the suffering, the blood, the broken glass” — Pablo Neruda, Memoirs If the genre known as bio-pic has evolved into a predictable linear account of a well-known person’s life, Chilean director Pablo Larraín (“Jackie”) has turned the…

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