Stage 6 Films

Movie Review: Greyhound (2020)

Bona fide Hollywood A-lister, Tom Hanks (“A Beautiful Day in the Neighborhood”), strikes again in Greyhound, a World War II-set drama that drops viewers into the exceedingly cold, choppy waters of the Atlantic in the winter of 1942, as Allied forces attempt to deliver troops and supplies to the European Theatre. Director Aaron Schneider, who…

Movie Review: Disobedience (2017)

The desire to transcend the environment in which you were raised and choose your own direction in life is central to Disobedience, a clash between religious orthodoxy and the desire for sexual freedom. Adapted from Naomi Alderman’s novel of the same name, it is the first English-language effort for Chilean director Sebastian Lelio whose critically…

Movie Review: Insidious: The Last Key (2018)

Few franchises have been as financially successful and beloved as the low budget darling that is Leigh Whannell’s “Insidious” franchise. The initial installment, “Insidious” was praised for it’s vintage, minimalist approach and boasted a $97 million dollar box office gross against a $1.5 million dollar budget. It’s balanced execution of claustrophobic cinematography and traditional jump…

Movie Review: Certain Women (2016)

“We are not lost, we are just finding our way” — Stephen Meek, “Meek’s Cutoff” As depicted in “Wendy and Lucy” and “Meek’s Cutoff,” Kelly Reichardt’s characters are lost without a significant guidepost to hold on to, adrift in a society in which they struggle to fit in. Based on short stories from the 2009…

Movie Review: Don’t Breathe (2016)

Don’t Breathe opens with a floating aerial shot over a picturesque neighborhood street. Birds chirp happily as the sun warms the trees and houses with a golden glow. From behind, we approach a man walking down this quiet street, and we discover with horror that he’s dragging something behind him — the body of a…

Movie Review: The Final Girls (2015)

Opening night at the Spooky Movie International Horror Film Festival, held annually in Silver Spring, Maryland, is always a treat. This year, the opener was The Final Girls, a thriller/comedy that subverts many horror-film conventions — indeed, the very notion of movies themselves. Teenager Max (Taissa Farmiga, “Anna”) happens to be the daughter of the…

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