The latest entry in the Marvel Cinematic Universe (MCU) is a curious film of links. There are links between its world and the wider MCU. The central premise depends on links between different dimensions, from which sorcerers draw and utilize mystical energy. And it manages the tricky task of forging links between magic and science,…
While The Unknown Girl, the latest film by Jean-Pierre and Luc Dardenne (“Two Days, One Night”), is suggestive of social and political issues such as immigration, unemployment, and economic imbalance, its main concern is with moral character, accountability, and spiritual redemption. Like many other films of the Dardenne Brothers, it is simple, natural, and direct,…
What I want to say about Morgan is that it was a good idea that suffered from a poor execution. Unfortunately, I can’t say that, because, aside from a partial (which is wording it generously) explanation by way of a deus ex machina (which, contrary to what is ostensibly the belief of screenwriters at large,…
As The Mind’s Eye begins, white lettering on a black screen informs us that in the 1980s, federal funding was approved for private research facilities to study psychokinetic individuals, bringing them to their full potential. As expected, when held against their will in these facilities, those possessed with these abilities revolted against their captors. Next…
According to military historian Antony Beevor, “The subject of the Red Army’s mass rapes in Germany and elsewhere in Europe has been so repressed in Russia that even today veterans refuse to acknowledge what really happened.” A Soviet war correspondent has said that, “It was an army of rapists,” that Russian soldiers raped every female…
The Marvel Cinematic Universe keeps marching forward, even with, as some would say, their lesser echelon characters leading the way. In this case it’s Stephen Strange, coming at us in the upcoming fantasy tale, Doctor Strange. How exactly he’s going to fit into the MCU puzzle is still a closely guarded secret, but one thing…
Jean-Paul Sartre famously wrote that hell is other people. Ben Wheatley and Amy Jump’s adaptation of J. G. Ballard’s 1975 novel takes this premise to its (il)logical conclusion, as, in an ironic twist on the title, High-Rise depicts a steady descent into class war-induced delirium, as social and financial divisions steadily turn the eponymous building…
