Heartstrings are tugged quite relentlessly in Lee Whittaker’s hyperbolically dark and dingy drama Catching Fireflies, but perhaps to touching effect. Whittaker has some very slick tools in his filmmaking arsenal and so he successfully crams a lot of style and technically ambitious tricks into the compact 19 minute running time, while convincingly depicting the hellishly…
Denis Villeneuve’s last film, 2013’s “Prisoners,” had everything: Gripping story; beautiful camerawork; and a great performance from Jake Gyllenhaal alongside Hugh Jackson. His follow-up Sicario only has the star-studded cast. Emily Blunt (“Edge of Tomorrow”) plays an FBI agent, Kate Macer, who enlists to join an escalating drug war between the U.S. and Mexico, in…
The power of one man can change the world because he can change the communities around him, one by one. But the power of the community can change the man and the world much faster — for better or for worse — because there’s undeniable strength in numbers while the strength of one can sometimes…
A common criticism of modern filmmaking is a lack of originality. And in a medium of formulaic genre styles that thrive on remakes, reboots, sequels and extended cinematic universes, it’s perhaps a valid point to make. Yet there is one main advantage to movies that carry a sense of familiarity — consistency. Whether it is…
Set in present-day New York, Five Star blends documentary and dramatic fiction as it tells the stories of Primo (James “Primo” Grant, a non-professional actor and former member of the Bloods street gang), a man fighting the tug-of-war battle between the needs of his family and duty to his gang, and John (John Diaz), a…
Those days that see no sunset are bound to become myths. Amy Winehouse was once like one of those twilightless days that just faded away from view. She did, however, fade in front of our eyes. We saw her dissipating, slowly disappearing — we saw her vanishing only to never watch her die. Asif Kapadia’s…
There’s walking in circles and then there’s walking in circles the Paul Thomas Anderson way. Whatever that means. Not that it matters. Who cares, anyway? A flippant attitude for a flippant movie. Except that Inherent Vice, Anderson’s latest and possibly his worst, is 150 minutes of flippancy, a wacky stumble into safe, though awfully off-putting…
