In my limited estimation, there are few things more anxiety-inducing than the thought of getting up onstage, all alone but for a sweaty drink and rickety stool, and surrounding yourself with a room full with people waiting for and expecting you to make them laugh out loud. Nina Geld (Mary Elizabeth Winstead, “10 Cloverfield Lane”)…
Mackenzie Davis (“Tully”) is currently in that sweet spot where she can do no wrong. She’s a highlight of every movie she appears in and continues to be a lively, engaging presence. Her starring role in the sketchy indie comedy Izzy Gets the F*ck Across Town is no exception. Without Davis, the movie would quickly…
“Just another Wednesday,” the visibly fatigued nurse exclaims as she tends to a bullet wound of one of the guests of her dimly lit, blood spattered hotel for crooks. The only rules of the underground institution: No guns, no cops, and no killing of other guests. Throughout the film’s jaunting plot we watch thieves, assassins…
The irony and timely arrival of the conscientious and stirring drama Shot should not be lost on a majority of savvy movie-goers and television addicts. First, the film’s lead, Noah Wyle (also one of the many producers behind this urban narrative’s stark commentary on senseless violence), played a young dedicated doctor used to helping critically…
Surprisingly again, Reese Witherspoon (Lead Actress Oscar winner for “Walk the Line”) has settled for signing on the dotted line to partake in a woefully rudimentary romantic comedy. Usually considered somewhat of a spark plug in her plucky-type of roles (“Legally Blonde” being the most revered), Witherspoon is curiously reduced to playing what amounts to…
Unpleasant without being scary, and full of style sans substance, Brian Visciglia’s feature debut, Ryde, comes off as a kind of misogynist “American Psycho.” There’s a hint of Christian Bale’s Bateman in David Wachs’ pristinely chiseled psychotic, but none of Bret Easton Ellis’ satire. Wachs (“The Last Hurrah”) plays Paul, an elusive loner who one…
The first rule of a frightening film, as outlined in meta masterpieces like “The Cabin in the Woods” and “Scream,” is that in order to be punished, our protagonists must first transgress. Going somewhere they shouldn’t, engaging in nefarious activities, hurting another person (whether they meant to or not) . . . one or all…
