For the sake of curiosity, the only selling point that angsty indie drama One More Time appears to boast is its depiction of Christopher Walken and Amber Heard of all people as father and daughter. That’s an odd pairing right there and while Walken’s shtick is one of the most famous in the business, he’s…
Racism is still alive. We know that very well, even when, sometimes, some still have the nerve to deny it. Racism was an entirely economic enterprise through which something utterly immoral was justified on the very grounds of morality (i.e., white supremacy) — and the US had never done better, economically speaking, than when racism…
To be quite honest, the trailers for the newest Bill Murray vehicle, Rock the Kasbah, did not leave me with a very positive vibe, but as a professional, I never (well, ALMOST never) let a preview color my perception of the whole output, the proof being in the pudding, so to speak. However, after viewing…
Making a movie that feels both realistic and satisfyingly entertaining is not an easy thing to do. In fact, the notion of producing a film that feels entirely true to life is almost antithetical to the cinematic framework. Life is often uncomfortable, random, ambiguous and inconsequential — traits that could understandably be seen as detriments…
Those days that see no sunset are bound to become myths. Amy Winehouse was once like one of those twilightless days that just faded away from view. She did, however, fade in front of our eyes. We saw her dissipating, slowly disappearing — we saw her vanishing only to never watch her die. Asif Kapadia’s…
Biopics are a bit of a conundrum, aren’t they? On one hand, they seem like ideal fodder for movie adaptations since the subject of the film will likely carry a guaranteed audience, especially when popular musicians and bands are the focal point. But on the other hand, how can one film possibly be adequately succinct…
Stet, a troubled and angry Texas boy of eleven lives on the less affluent side of the tracks in Boychoir, Quebecois director François Girard’s (“The Red Violin”) feel-good story about a musically talented boy’s climb from adversity to self-acceptance. Written by Ben Ripley (“Source Code”), Girard’s first film in seven years boasts an outstanding cast…
