Tagged sisters

Movie Review: Trauma Center (2019)

Trauma Center, a brutally dull alleged action movie that nominally stars Bruce Willis (“Glass”) as a world-weary cop, is not the kind of movie that anyone will remember in ten years, or, for that matter, even later this year. Its premise is flimsy, its execution is disjointed, its acting is atrocious, and its conclusion is…

Movie Review: Frozen II (2019)

A franchise’s future often lies in its past. The narrative need to look back upon the legacy of a series starter and the history of its characters provides a clear entry point for many sequels that may otherwise struggle to justify their existence beyond merely financial reasons. It’s a strategy used to moving effect in…

Movie Review: Little Women (2019)

Writer/director Greta Gerwig (“Lady Bird”) puts a contemporary spin on Louisa May Alcott’s nineteenth century classic novel in Little Women, now in its eight film version. Alcott’s semi-autobiographical story about four sisters growing up in Concord, Massachusetts during and after the Civil War stands out for its warmth and celebration of family, its exquisite period…

Movie Review: Gwen (2018)

The horror genre allows many opportunities to explore opposition. The opposition may involve faith in “The Exorcist,” gender in “Rosemary’s Baby,” class in “The Texas Chainsaw Massacre” and sometimes all these and more, such as in “Drag Me To Hell.” With folk horror, the opposition is often between tradition and modernity, insiders and outsiders, new…

Movie Review: Little Woods (2018)

A progressive rage simmers at the despondent heart of Little Woods. It isn’t just that writer-director Nia DaCosta spends a busy 95 or so minutes examining how working-class economic anxiety often begets the toppling chain of dominoes in those trapped in it, but more so that she tells her story through the lens of a…

Movie Review: Nobody’s Fool (2018)

Entertainment guru Tyler Perry plants his fingertips on yet another toothless comedic concoction that has more cockeyed misfires than Madea’s gun rack display. In Perry’s latest baseless romantic comedy Nobody’s Fool, more of the same formula applies; tiresome stereotypes accompanied by forced melodrama and transparent seeds of recycled zaniness. Clearly, it has been a reliable…

Movie Review: The Vault (2017)

Though an estranged family tackling a bank heist in order to save a sibling is a recipe for interesting discourses by way of “Dog Day Afternoon,” The Vault, unfortunately is not that kind of film. Dan Bush cut his teeth co-directing, co-writing and co-editing the extraordinarily effective thriller/horror “The Signal,” followed by the overlooked yet…

Privacy Policy | About Us

 | Log in

Advertisment ad adsense adlogger