Peter Chernin

Movie Review: The Greatest Showman (2017)

The Greatest Showman is a confusing animal. Its opening frames begin the movie by displaying the familiar and orchestral 20th Century Fox logo used from the 50s through the 80s, implying the audience is in for a reverent throwback to the classic Hollywood musicals of yore. Then — literally six seconds later — the studio’s…

Movie Review: The Mountain Between Us (2017)

The heated romantic passion of Charles Martin’s best-selling romance novel “The Mountain Between Us,” turns lukewarm in its cinematic version of the same name that stars Kate Winslet (“Collateral Beauty”) and Idris Elba (“The Dark Tower”) as a couple of strangers stranded in the frigid high-mountain snow of the Rocky Mountains. Alex Martin (an excellent…

Movie Review: Snatched (2017)

I’m spending more time than I should trying to guess if the many vagina jokes in Amy Schumer’s sophomore effort are the reason for its title, Snatched, or not. I’m leaning towards a “yes” because using a double entendre is clever, lots of vagina jokes are funny — at least that’s what Ms. Schumer wants…

Movie Review: Hidden Figures (2016)

Mathematics and mathematicians may not appear to be the most dramatic material. Filmmakers seem aware of this potential failing, and thus produce subtle, nuanced and often very impressive films based around this topic, which end up being award contenders. Such is the case with Hidden Figures, for in the tradition of (Oscar winners) “Good Will…

Movie Review: Spy (2015)

After such critical bombs and/or not very good comedies as “The Hangover Part III,” “Tammy” and “Identity Theft,” there’s finally a Melissa McCarthy vehicle we can smile and laugh at — intentionally. Unfortunately, her latest turn in the new Paul Feig (“Bridesmaids,” “The Heat”) directed film, Spy, as an unprepared, mousy analyst/secret agent, loses those…

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